Alchemy: Ancient and Modern: Being a Brief Account of the Alchemistic Doctrines, and Their Relations, to Mysticism on the One Hand, and to Recent Discoveries in Physical Science on the Other Hand; Together with Some Particulars Regarding the Lives and Teachings of the Most Noted AlchemistsRedgrove, H. Stanley (Herbert Stanley)
Religion
Alchemy: Ancient and Modern: Being a Brief Account of the Alchemistic Doctrines, and Their Relations, to Mysticism on the One Hand, and to Recent Discoveries in Physical Science on the Other Hand; Together with Some Particulars Regarding the Lives and Teachings of the Most Noted Alchemists
Redgrove, H. Stanley (Herbert Stanley)
Alchemy -- History
§ =17.= Coming to the alchemists, we find the view that the metals are
all composed of two elementary principles--sulphur and mercury--in
different proportions and degrees of purity, well-nigh universally
accepted in the earlier days of Alchemy. By these terms “sulphur” and
“mercury,” however, must not be understood the common bodies ordinarily
designated by these names; like the elements of Aristotle, the
alchemistic principles were regarded as properties rather than as
substances, though it must be confessed that the alchemists were by no
means always clear on this point themselves. Indeed, it is not
altogether easy to say exactly what the alchemists did mean by these
terms, and the question is complicated by the fact that very frequently
they make mention of different sorts of “sulphur” and “mercury.”
Probably, however, we shall not be far wrong in saying that “sulphur”
was generally regarded as the principle of combustion and also of
colour, and was said to be present on account of the fact that most
metals are changed into earthy substances by the aid of fire; and to the
“mercury,” the metallic principle _par excellence_, was attributed such
properties as fusibility, malleability and lustre, which were regarded
as characteristic of the metals in general. The pseudo-Geber (see § 32)
says that “Sulphur is a fatness of the Earth, by temperate Decoction in
the Mine of the Earth thickened, until it be hardned and made dry.”[23]
He considered an excess of sulphur to be a cause of imperfection in the
metals, and he writes that one of the causes of the corruption of the
metals by fire “is the Inclusion of a burning Sulphuriety in the
profundity of their Substance, diminishing them by Inflamation, and
exterminating also into Fume, with extream Consumption, whatsoever
Argentvive in them is of good Fixation.”[24] He assumed, further, that
the metals contained an incombustible as well as a combustible sulphur,
the latter sulphur being apparently regarded as an impurity.[25] A later
alchemist says that sulphur is “most easily recognised by the vital
spirit in animals, the colour in metals, the odour in plants.”[26]
Mercury, on the other hand, according to the pseudo-Geber, is the cause
of perfection in the metals, and endows gold with its lustre. Another
alchemist, quoting Arnold de Villanova, writes: “Quicksilver is the
elementary form of all things fusible; for all things fusible, when
melted, are changed into it, and it mingles with them because it is of
the same substance with them. Such bodies differ from quicksilver in
their composition only so far as itself is or is not free from the
foreign matter of impure sulphur.”[27] The obtaining of “philosophical
mercury,” the imaginary virtues of which the alchemists never tired of
relating, was generally held to be essential for the attainment of the
_magnum opus_. It was commonly thought that it could be prepared from
ordinary quicksilver by purificatory processes, whereby the impure
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