Poets, English -- 18th century -- Biography; Pope, Alexander, 1688-1744
error, and in any case there is no real ground for supposing that
Addison did anything more than he admittedly told Pope, that is, read
Tickell's manuscript and suggest corrections.
To argue seriously about other so-called proofs, would be waste of time.
They prove nothing except Pope's extreme anxiety to justify his wild
hypothesis of a dark conspiracy. Pope was jealous, spiteful, and
credulous. He was driven to fury by Tickell's publication, which had the
appearance of a competition. But angry as he was, he could find no real
cause of complaint, except by imagining a fictitious conspiracy; and
this complaint was never publicly uttered till long after Addison's
death. Addison knew, no doubt, of Pope's wrath, but probably cared
little for it, except to keep himself clear of so dangerous a companion.
He seems to have remained on terms of civility with his antagonist, and
no one would have been more surprised than he to hear of the quarrel,
upon which so much controversy has been expended.
The whole affair, so far as Addison's character is concerned, thus
appears to be a gigantic mare's nest. There is no proof, or even the
slightest presumption, that Addison or Addison's friends ever injured
Pope, though it is clear that they did not love him. It would have been
marvellous if they had. Pope's suspicions are a proof that in this case
he was almost subject to the illusion characteristic of actual insanity.
The belief that a man is persecuted by hidden conspirators is one of the
common symptoms in such cases; and Pope would seem to have been almost
in the initial stage of mental disease. His madness, indeed, was not
such as would lead us to call him morally irresponsible, nor was it the
kind of madness which is to be found in a good many people who well
deserve criminal prosecution; but it was a state of mind so morbid as to
justify some compassion for the unhappy offender.
One result besides the illustration of Pope's character remains to be
noticed. According to Pope's assertion it was a communication from Lord
Warwick which led him to write his celebrated copy of verses upon
Addison. Warwick (afterwards Addison's stepson) accused Addison of
paying Gildon for a gross libel upon Pope. Pope wrote to Addison, he
says, the next day. He said in this letter that he knew of Addison's
behaviour--and that, unwilling to take a revenge of the same kind, he
would rather tell Addison fairly of his faults in plain words. If he had
to take such a step, it would be in some such way as followed, and he
subjoined the first sketch of the famous lines. Addison, says Pope, used
him very civilly ever afterwards. Indeed, if the account be true,
Addison showed his Christian spirit by paying a compliment in one of his
_Freeholders_ (May 17th, 1716) to Pope's Homer.
Public-domain text, read in full here on John Shaqi.
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