All along the River: A NovelBraddon, M. E. (Mary Elizabeth)
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All along the River: A Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
They went out of the broad spaces that were once populous with the
teeming life of Imperial Rome, splendid with all that art could create
of beauty and of grandeur--wrapt in the glamour of their dream. They
walked all the way to the Piazza di Spagna in the same happy dream, as
unconscious of the ground they trod on as if they had been floating in
the air.
* * * * *
They were a very cheerful party at dinner that evening. Father Rodwell
dined with them, and was delighted at the idea of having to marry these
happy lovers. He took the arrangement of the ceremony into his own
hands. The English chaplain was his old friend, and would let him do
what he liked in his church.
“It is to be a very quiet wedding,” said the colonel, when the three
men were smoking together in a loggia, looking on the little garden
of orange trees and oleanders, in the grey dim beginning of night,
when the thin crescent moon was shining in a sky still faintly flushed
with sunset. “Isa could not stand anything like bustle or excitement.
Luckily we have no friends in Rome. There is no one belonging to us who
could be aggrieved at not being invited.”
“And there is no one except Lostwithiel on my side who has the
slightest claim to be present,” said Hulbert. “I am almost as well
off as the Flying Dutchman in that respect. I am not troubled with
relations. All the kinsfolk I have are distant, and I allow them to
remain so. My dear Disney, so far as I am concerned, our wedding cannot
be too quiet a business. It is the bride I want, mark you, not the fuss
and flowers, wedding-breakfast, and bridesmaids. Let us be married at
half-past ten, and drive from the church to the railway station in time
for the noonday train. I have given up my dream of taking Allegra round
Southern Italy to the Adriatic. We shall go to Florence first, and
spend a few days in the galleries, and thence to Venice, where we will
have the _Vendetta_ brought to us, and anchored near the arsenal, ready
to carry us away directly we are tired of the city of old memories.”
Father Rodwell left them and went into the drawing-room, where Isola
and her sister-in-law were sitting in the lamplight--Isola’s hands
occupied with that soft, fluffy knitting which seemed to exercise a
soothing influence upon her nerves; Allegra leaning over the table,
idly sketching random reminiscences of the Baths, the Tomb, the
grave-eyed oxen, with their great curving horns and ponderous foreheads.
The priest was interested in watching Isola this evening. He saw a
marked change in the expression of her countenance, a change which was
perceptible to him even in her voice and manner--a brightness which
might mean a lightened heart, or which might mean religious exaltation.
Public-domain text, read in full here on John Shaqi.
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