All along the River: A NovelBraddon, M. E. (Mary Elizabeth)
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All along the River: A Novel
Braddon, M. E. (Mary Elizabeth)
English fiction -- 19th century
While she was looking out at the crescent-shaped bay, and the long
line of white villas, the anchor was being lowered. The sea was almost
as smooth as a lake, and those tranquil waters had the colour and the
sheen of sapphire and emerald. She thought of the jasper sea--the
sea of the Apocalypse, the tideless sea beside that land of the New
Jerusalem where there are no more tears, where there can be no more
sin, a city of ransomed souls, redeemed from all earth’s iniquity.
A boat was being lowered. She heard the scroop of the ropes in the
davits; she heard footsteps on the accommodation-ladder, and then
the dip of oars, and presently the boat passed between her and the
sunlit waters, and she saw Lostwithiel sitting in the stern, with the
rudder-lines in his hands, while two sailors were bending to their
oars, with wind-blown hair and cheery, smiling faces, broad and red in
the gay morning sunshine.
He was gone, and she breathed more freely. There was a sense of release
in his absence; and for the first time she looked round the cabin,
where beautiful and luxurious things lay, thrown here and there in
huddled masses of brilliant colour. A Japanese screen, a masterpiece
of rainbow-hued embroidery on a sea-green ground, flung against the
panelling at one end--Persian curtains wrenched from their fastenings
and hanging awry--satin pillows that had drifted into a heap in one
corner--signs of havoc everywhere. She stood in the midst of all this
ruin, and looked at her own reflection in a Venetian glass riveted to
the panelling, about the only object that had held its place through
the storm.
Her own reflection. Was that really herself, that ghastly image which
the glass gave back to her? The reflection of a woman with livid cheeks
and blanched lips, with swollen eyelids, and dark rings of purple round
the haggard eyes, and hair rough and tangled as Medusa’s locks, and
bare shoulders from which the stained satin bodice had slipped away.
Her wedding-gown! Could that defiled garment--the long folds of the
once shining satin, draggled and dripping with sea-water--could these
tawdry rags be the wedding-gown she had put on in her proud and happy
innocence in the old bedroom at Dinan, with mother, and servants, and a
useful friend or two helping and hindering?
Oh, if they could see her now, those old friends of her unclouded
childhood, the mother and father who had loved and trusted her, who had
never spoken of evil things in her hearing, had never thought that sin
could come near her! And she had fallen like the lowest of womankind.
She had forfeited her place among the virtuous and happy for ever. She,
Martin Disney’s wife! That good man, that brave soldier who had fought
for Queen and country--it was his wife who stood there in her shame,
haggard and dishevelled!
Public-domain text, read in full here on John Shaqi.
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