All quiet on the Western FrontRemarque, Erich Maria
History
All quiet on the Western Front
Remarque, Erich Maria
War stories; World War, 1914-1918 -- Fiction
Now he stands up, stealthily creeps across the floor, hesitates a
moment and then glides towards the door. I intercept him and say:
"Where are you going?"
"I'll be back in a minute," says he, and tries to push past me.
"Wait a bit, the shelling will stop soon."
He listens and for a moment his eye becomes clear. Then again he has
the glowering eyes of a mad dog, he is silent, he shoves me aside.
"One minute, lad," I say. Kat notices. Just as the recruit shakes
me off Kat jumps in and we hold him.
Then he begins to rave: "Leave me alone, let me go out, I will go
out!"
He won't listen to anything and hits out, his mouth is wet and pours
out words, half choked, meaningless words. It is a case of
claustrophobia, he feels as though he is suffocating here and wants
to get out at any price. If we let him go he would run about
everywhere regardless of cover. He is not the first.
Though he raves and his eyes roll, it can't be helped, we have to
give him a hiding to bring him to his senses. We do it quickly and
mercilessly, and at last he sits down quietly. The others have
turned pale; let's hope it deters them. This bombardment is too much
for the poor devils, they have been sent straight from a
recruiting-depot into a barrage that is enough to turn an old
soldier's hair grey.
After this affair the sticky, close atmosphere works more than ever
on our nerves. We sit as if in our graves waiting only to be closed
in.
Suddenly it howls and flashes terrifically, the dug-out cracks in all
its joints under a direct hit, fortunately only a light one that the
concrete blocks are able to withstand. It rings metallically, the
walls reel, rifles, helmets, earth, mud, and dust fly everywhere.
Sulphur fumes pour in.
If we were in one of those light dug-outs that they have been
building lately instead of this deep one, not one of us would now be
alive.
But the effect is bad enough even so. The recruit starts to rave
again and two others follow suit. One jumps up and rushes out, we
have trouble with the other two. I start after the one who escapes
and wonder whether to shoot him in the leg--then it shrieks again, I
fling myself down and when I stand up the wall of the trench is
plastered with smoking splinters, lumps of flesh, and bits of
uniform. I scramble back.
The first recruit seems actually to have gone insane. He butts his
head against the wall like a goat. We must try to-night to take him
to the rear. Meanwhile we bind him, but in such a way that in case
of attack he can be released at once.
Kat suggests a game of skat: it is easier when a man has something to
do. But it is no use, we listen for every explosion that comes
close, miscount the tricks, and fail to follow suit. We have to give
it up. We sit as though in a hissing boiler that is being belaboured
from without on all sides.
Public-domain text, read in full here on John Shaqi.
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