All quiet on the Western FrontRemarque, Erich Maria
History
All quiet on the Western Front
Remarque, Erich Maria
War stories; World War, 1914-1918 -- Fiction
Night again. We are deadened by the strain--a deadly tension that
scrapes along one's spine like a gapped knife. Our legs refuse to
move, our hands tremble, our bodies are a thin skin stretched
painfully over repressed madness, over an almost irresistible,
bursting roar. We have neither flesh nor muscles any longer, we dare
not look at one another for fear of some incalculable thing. So we
shut our teeth--it will end--it will end--perhaps we will come
through.
Suddenly the nearer explosions cease. The shelling continues but it
has lifted and falls behind us, our trench is free. We seize the
hand-grenades, pitch them out in front of the dug-out and jump after
them. The bombardment has stopped and a heavy barrage now falls
behind us. The attack has come.
No one would believe that in this howling waste there could still be
men; but steel helmets now appear on all sides out of the trench, and
fifty yards from us a machine-gun is already in position and barking.
The wire-entanglements are torn to pieces. Yet they offer some
obstacle. We see the storm-troops coming. Our artillery opens fire.
Machine-guns rattle, rifles crack. The charge works its way across.
Haie and Kropp begin with the hand-grenades. They throw as fast as
they can, others pass them, the handles with the strings already
pulled. Haie throws seventy-five yards, Kropp sixty, it has been
measured, the distance is important. The enemy as they run cannot do
much before they are within forty yards.
We recognize the distorted faces, the smooth helmets: they are
French. They have already suffered heavily when they reach the
remnants of the barbed wire entanglements. A whole line has gone
down before our machine-guns; then we have a lot of stoppages and
they come nearer.
I see one of them, his face upturned, fall into a wire cradle. His
body collapses, his hands remain suspended as though he were praying.
Then his body drops clean away and only his hands with the stumps of
his arms, shot off, now hang in the wire.
The moment we are about to retreat three faces rise up from the
ground in front of us. Under one of the helmets a dark pointed beard
and two eyes that are fastened on me. I raise my hand, but I cannot
throw into those strange eyes; for one mad moment the whole slaughter
whirls like a circus round me, and these two eyes that are alone
motionless; then the head rises up, a hand, a movement, and my
hand-grenade flies through the air and into him.
We make for the rear, pull wire cradles into the trench and leave
bombs behind us with the string pulled, which ensure us a fiery
retreat. The machine-guns are already firing from the next position.
Public-domain text, read in full here on John Shaqi.
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