All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
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All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
Anson was going to leave the letter of farewell at her house next
morning. It was one of the few houses left open in the Fifth Avenue
district, and he knew that the Kargers, acting upon erroneous
information from Dolly, had foregone a trip abroad to give their
daughter her chance. As he stepped out the door of the Yale Club into
Madison Avenue the postman passed him, and he followed back inside. The
first letter that caught his eye was in Dolly's hand.
He knew what it would be--a lonely and tragic monologue, full of the
reproaches he knew, the invoked memories, the "I wonder if's"--all the
immemorial intimacies that he had communicated to Paula Legendre in what
seemed another age. Thumbing over some bills, he brought it on top again
and opened it. To his surprise it was a short, somewhat formal note,
which said that Dolly would be unable to go to the country with him for
the week-end, because Perry Hull from Chicago had unexpectedly come to
town. It added that Anson had brought this on himself: "--if I felt that
you loved me as I love you I would go with you at any time, any place,
but Perry is _so_ nice, and he so much wants me to marry him----"
Anson smiled contemptuously--he had had experience with such decoy
epistles. Moreover, he knew how Dolly had labored over this plan,
probably sent for the faithful Perry and calculated the time of his
arrival--even labored over the note so that it would make him jealous
without driving him away. Like most compromises, it had neither force
nor vitality but only a timorous despair.
Suddenly he was angry. He sat down in the lobby and read it again. Then
he went to the phone, called Dolly and told her in his clear, compelling
voice that he had received her note and would call for her at five
o'clock as they had previously planned. Scarcely waiting for the
pretended uncertainty of her "Perhaps I can see you for an hour," he
hung up the receiver and went down to his office. On the way he tore his
own letter into bits and dropped it in the street.
He was not jealous--she meant nothing to him--but at her pathetic ruse
everything stubborn and self-indulgent in him came to the surface. It
was a presumption from a mental inferior and it could not be overlooked.
If she wanted to know to whom she belonged she would see.
He was on the door-step at quarter past five. Dolly was dressed for the
street, and he listened in silence to the paragraph of "I can only see
you for an hour," which she had begun on the phone.
"Put on your hat, Dolly," he said, "we'll take a walk."
They strolled up Madison Avenue and over to Fifth while Anson's shirt
dampened upon his portly body in the deep heat. He talked little,
scolding her, making no love to her, but before they had walked six
blocks she was his again, apologizing for the note, offering not to see
Perry at all as an atonement, offering anything. She thought that he had
come because he was beginning to love her.
Public-domain text, read in full here on John Shaqi.
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