All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
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All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
"I'm hot," he said when they reached 71st Street. "This is a winter
suit. If I stop by the house and change, would you mind waiting for me
down-stairs? I'll only be a minute."
She was happy; the intimacy of his being hot, of any physical fact about
him, thrilled her. When they came to the iron-grated door and Anson took
out his key she experienced a sort of delight.
Down-stairs it was dark, and after he ascended in the lift Dolly raised
a curtain and looked out through opaque lace at the houses over the way.
She heard the lift machinery stop, and with the notion of teasing him
pressed the button that brought it down. Then on what was more than an
impulse she got into it and sent it up to what she guessed was his
floor.
"Anson," she called, laughing a little.
"Just a minute," he answered from his bedroom ... then after a brief
delay: "Now you can come in."
He had changed and was buttoning his vest. "This is my room," he said
lightly. "How do you like it?"
She caught sight of Paula's picture on the wall and stared at it in
fascination, just as Paula had stared at the pictures of Anson's
childish sweethearts five years before. She knew something about
Paula--sometimes she tortured herself with fragments of the story.
Suddenly she came close to Anson, raising her arms. They embraced.
Outside the area window a soft artificial twilight already hovered,
though the sun was still bright on a back roof across the way. In half
an hour the room would be quite dark. The uncalculated opportunity
overwhelmed them, made them both breathless, and they clung more
closely. It was eminent, inevitable. Still holding one another, they
raised their heads--their eyes fell together upon Paula's picture,
staring down at them from the wall.
Suddenly Anson dropped his arms, and sitting down at his desk tried the
drawer with a bunch of keys.
"Like a drink?" he asked in a gruff voice.
"No, Anson."
He poured himself half a tumbler of whiskey, swallowed it, and then
opened the door into the hall.
"Come on," he said.
Dolly hesitated.
"Anson--I'm going to the country with you to-night, after all. You
understand that, don't you?"
"Of course," he answered brusquely.
In Dolly's car they rode on to Long Island, closer in their emotions
than they had ever been before. They knew what would happen--not with
Paula's face to remind them that something was lacking, but when they
were alone in the still, hot Long Island night they did not care.
The estate in Port Washington where they were to spend the week-end
belonged to a cousin of Anson's who had married a Montana copper
operator. An interminable drive began at the lodge and twisted under
imported poplar saplings toward a huge, pink, Spanish house. Anson had
often visited there before.
Public-domain text, read in full here on John Shaqi.
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