All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
General
All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
In the summer the six children were moved from the house on 71st Street
to a big estate in northern Connecticut. It was not a fashionable
locality--Anson's father wanted to delay as long as possible his
children's knowledge of that side of life. He was a man somewhat
superior to his class, which composed New York society, and to his
period, which was the snobbish and formalized vulgarity of the Gilded
Age, and he wanted his sons to learn habits of concentration and have
sound constitutions and grow up into right-living and successful men. He
and his wife kept an eye on them as well as they were able until the two
older boys went away to school, but in huge establishments this is
difficult--it was much simpler in the series of small and medium-sized
houses in which my own youth was spent--I was never far out of the reach
of my mother's voice, of the sense of her presence, her approval or
disapproval.
Anson's first sense of his superiority came to him when he realized the
half-grudging American deference that was paid to him in the Connecticut
village. The parents of the boys he played with always inquired after
his father and mother, and were vaguely excited when their own children
were asked to the Hunters' house. He accepted this as the natural state
of things, and a sort of impatience with all groups of which he was not
the centre--in money, in position, in authority--remained with him for
the rest of his life. He disdained to struggle with other boys for
precedence--he expected it to be given him freely, and when it wasn't he
withdrew into his family. His family was sufficient, for in the East
money is still a I somewhat feudal thing, a clan-forming thing. In the
snobbish West, money separates families to form "sets."
At eighteen, when he went to New Haven, Anson was tall and thick-set,
with a clear complexion and a healthy color from the ordered life he had
led in school. His hair was yellow and grew in a funny way on his head,
his nose was beaked--these two things kept him from being handsome--but
he had a confident charm and a certain brusque style, and the
upper-class men who passed him on the street knew without being told
that he was a rich boy and had gone to one of the best schools.
Nevertheless, his very superiority kept him from being a success in
college--the independence was mistaken for egotism, and the refusal to
accept Yale standards with the proper awe seemed to belittle all those
who had. So, long before he graduated, he began to shift the centre of
his life to New York.
Public-domain text, read in full here on John Shaqi.
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