All the Sad Young MenFitzgerald, F. Scott (Francis Scott)
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All the Sad Young Men
Fitzgerald, F. Scott (Francis Scott)
American fiction -- 20th century; Short stories, American
"Charles and I are on each other's nerves." In the new silence Luella's
voice rang out with startling clearness, and she lowered it precipitately.
"Little things. He keeps rubbing his face with his hand--all the time,
at table, at the theatre--even when he's in bed. It drives me wild, and
when things like that begin to irritate you, it's nearly over." She
broke off and, reaching backward, drew up a light fur around her neck.
"I hope I haven't bored you, Ede. It's on my mind, because to-night
tells the story. I made an engagement for to-night--an interesting
engagement, a supper after the theatre to meet some Russians, singers or
dancers or something, and Charles says he won't go. If he doesn't--then
I'm going alone. And that's the end."
She put her elbows on the table suddenly and, bending her eyes down into
her smooth gloves, began to cry, stubbornly and quietly. There was no
one near to see, but Ede Karr wished that she had taken her gloves off.
She would have reached out consolingly and touched her bare hand. But
the gloves were a symbol of the difficulty of sympathizing with a woman
to whom life had given so much. Ede wanted to say that it would "come
out all right," that it wasn't "so bad as it seemed," but she said
nothing. Her only reaction was impatience and distaste.
A waiter stepped near and laid a folded paper on the table, and Mrs.
Karr reached for it.
"No, you mustn't," murmured Luella brokenly. "No, I invited _you_! I've
got the money right here."
II
The Hemples' apartment--they owned it--was in one of those impersonal
white palaces that are known by number instead of name. They had
furnished it on their honeymoon, gone to England for the big pieces, to
Florence for the bric-à-brac, and to Venice for the lace and sheer
linen of the curtains and for the glass of many colors which littered
the table when they entertained. Luella enjoyed choosing things on her
honeymoon. It gave a purposeful air to the trip, and saved it from ever
turning into the rather dismal wandering among big hotels and desolate
ruins which European honeymoons are apt to be.
They returned, and life began. On the grand scale. Luella found herself
a lady of substance. It amazed her sometimes that the specially created
apartment and the specially created limousine were hers, just as
indisputably as the mortgaged suburban bungalow out of _The Ladies' Home
Journal_ and the last year's car that fate might have given her instead.
She was even more amazed when it all began to bore her. But it did....
Public-domain text, read in full here on John Shaqi.
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