Alone on a Wide Wide Sea, Vol. 2 (of 3)Russell, William Clark
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Alone on a Wide Wide Sea, Vol. 2 (of 3)
Russell, William Clark
English fiction -- 19th century; Sea stories
‘I am thankful to say I have not. It is enough to have a husband.
My hubby is very good, but even _he_ does not permit me to enjoy
that perfect leisure of retirement which literature demands. He is
constantly looking in upon me at the wrong moment. Thought is a
spider’s web, and the least interruption is like passing your finger
through it. But how would it be with me if I had children? So this is
your cabin? Well, it is not so gloomy as I had feared to find it,’ and
seating herself she restlessly turned her eyes about; but there was
little enough for her to look at, and nothing whatever to inspire her.
However, she was in my berth, and I was her companion, and she was
resolved not to lose an opportunity she had been on the lookout for,
and so she began to tell me what she considered to have been my past.
‘You are not,’ said she, ‘a member of the noble family that Sir
Frederick Thompson talks of. I am sure I cannot tell who you are, but
you are not a Calthorpe. It is very wonderful, and I was almost going
to say delightful, to meet with so impenetrable a mystery as you in the
flesh. It is not as though your past and your name were _your_ secret.
You are as great a mystery to yourself as to everybody else, and there
is something awful and beautiful to my mind in such a thing. No, you
will find that you are the daughter of a country gentleman, who is
not very rich--pray excuse me! one never knows what ideas may be of
service: your being without jewellery makes me suppose that your people
live quietly somewhere; unless, indeed,’ she continued, looking at my
hands and at my ears and throat, ‘you were robbed. But that we need
not believe. I am not going to tell you how you came to be in an open
boat. No, if Captain Ladmore cannot understand that, how should I? Does
it not help you a little to hear you are the daughter a plain country
gentleman?’
I answered not, gazing at her earnestly, and straining my mind that I
might closely follow her words.
‘I have settled,’ she went on, ‘and the Miss Glanvilles are of my
opinion, that you were pretty before you met with your accident,
whatever it may have been, that turned your hair white and aged and
mutilated your poor face. You have a sweet mouth. I envy you your
teeth, and your eyes are wonderfully fine, and depend upon it you had a
very great deal of hair before it came out. Do I seem to suggest even a
faint fancy?’
‘None whatever,’ said I, still with my mind on the strain, and still
gazing at her eagerly.
‘Your age is about thirty,’ said she. ‘When you first came on board
you looked about forty. Now you might pass for six-and-thirty. How
delightful to be able to reverse the old-fashioned process! Ten years
hence you will be ten years younger, and I shall be ten years older.
But your real age--your age as you there sit--is from thirty to
thirty-two.’
She dropped her head on one side in a posture of enquiry. I gazed at
her in silence.
Public-domain text, read in full here on John Shaqi.
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