Illegitimate children -- Fiction; Married women -- Fiction; Mothers and sons -- Fiction
By degrees, during her long and lonely years at Charlock House, Lady
Channice had, at first tentatively, then with a growing assurance in her
limited sphere of action, moved away all the ugliest, most trivial
things: tattered brocade and gilt footstools, faded antimacassars,
dismal groups of birds and butterflies under glass cases. When she sat
alone in the evening, after Augustine, as child or boy, had gone to bed,
the ghostly glimmer of the birds, the furtive glitter of a glass eye
here and there, had seemed to her quite dreadful. The removal of the
cases (they were large and heavy, and Mrs. Bray, the housekeeper, had
looked grimly disapproving)--was her crowning act of courage, and ever
since their departure she had breathed more freely. It had been easier
to dispose of all the little colonies of faded photographs that stood on
cabinets and tables; they were photographs of her husband's family and
of his family's friends, people most of whom were quite unknown to her,
and their continued presence in the abandoned house was due to
indifference, not affection: no one had cared enough about them to put
them away, far less to look at them. After looking at them for some
years,--these girls in court dress of a bygone fashion, huntsmen holding
crops, sashed babies and matrons in caps or tiaras,--Lady Channice had
cared enough to put them away. She had not, either, to ask for Mrs.
Bray's assistance or advice for this, a fact which was a relief, for
Mrs. Bray was a rather dismal being and reminded her, indeed, of the
stuffed birds in the removed glass cases. With her own hands she
incarcerated the photographs in the drawers of a heavily carved bureau
and turned the keys upon them.
The only ornaments now, were the pale roses, the books, and, above her
writing-desk, a little picture that she had brought with her, a
water-colour sketch of her old home painted by her mother many years
ago.
So the room looked very bare. It almost looked like the parlour of a
convent; with a little more austerity, whitened walls and a few thick
velvet and gilt lives of the saints on the tables, the likeness would
have been complete. The house itself was conventual in aspect, and Lady
Channice, as she stood there in the quiet light at the window, looked
not unlike a nun, were it not for her crown of pale gold hair that shone
in the dark room and seemed, like the roses, to bring into it the
brightness of an outer, happier world.
Public-domain text, read in full here on John Shaqi.
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