Illegitimate children -- Fiction; Married women -- Fiction; Mothers and sons -- Fiction
She was a tall woman of forty, her ample form, her wide bosom, the
falling folds of her black dress, her loosely girdled waist, suggesting,
with the cloistral analogies, the mournful benignity of a bereaved
Madonna. Seen as she stood there, leaning her head to watch her son's
approach, she was an almost intimidating presence, black, still, and
stately. But when the door opened and the young man came in, when, not
moving to meet him, she turned her head with a slight smile of welcome,
all intimidating impressions passed away. Her face, rather, as it
turned, under its crown of gold, was the intimidated face. It was
curiously young, pure, flawless, as though its youth and innocence had
been preserved in some crystal medium of prayer and silence; and if the
nun-like analogies failed in their awe-inspiring associations, they
remained in the associations of unconscious pathos and unconscious
appeal. Amabel Channice's face, like her form, was long and delicately
ample; its pallor that of a flower grown in shadow; the mask a little
over-large for the features. Her eyes were small, beautifully shaped,
slightly slanting upwards, their light grey darkened under golden
lashes, the brows definitely though palely marked. Her mouth was pale
coral-colour, and the small upper lip, lifting when she smiled as she
was smiling now, showed teeth of an infantile, milky whiteness. The
smile was charming, timid, tentative, ingratiating, like a young girl's,
and her eyes were timid, too, and a little wild.
"Have you had a good read?" she asked her son. He had a book in his
hand.
"Very, thanks. But it is getting chilly, down there in the meadow. And
what a lot of frogs there are in the ditch," said Augustine smiling,
"they were jumping all over the place."
"Oh, as long as they weren't toads!" said Lady Channice, her smile
lighting in response. "When I came here first to live there were so many
toads, in the stone areas, you know, under the gratings in front of the
cellar windows. You can't imagine how many! It used quite to terrify me
to look at them and I went to the front of the house as seldom as
possible. I had them all taken away, finally, in baskets,--not killed,
you know, poor things,--but just taken and put down in a field a mile
off. I hope they didn't starve;--but toads are very intelligent, aren't
they; one always associates them with fairy-tales and princes."
She had gone to the tea-table while she spoke and was pouring the
boiling water into the teapot. Her voice had pretty, flute-like ups and
downs in it and a questioning, upward cadence at the end of sentences.
Her upper lip, her smile, the run of her speech, all would have made one
think her humorous, were it not for the strain of nervousness that one
felt in her very volubility.
Public-domain text, read in full here on John Shaqi.
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