Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
There has often existed a sympathy between ourselves and our near
neighbours of France, when not disturbed by war. This great movement of
establishing a national language, and freeing themselves from the Roman
bondage, was tried at a later period by the French government, who were
nearly baffled in the attempt. An ordinance of Louis XII. was issued _to
abolish the use of the Latin tongue_; but such was the prejudice in
favour of the ancient language, that notwithstanding that the Latin of
the bar had degenerated into the most ludicrous barbarism, the lawyers
were unwilling to yield to the popular wish. The use of Latin in France
in all legal instruments lasted till the succeeding reign of Francis I.,
who, by two ordinances, declared that THE FRENCH LANGUAGE should be
solely used in all public acts. It was, however, as late as forty years
after, in 1629, that at length the public offices consented to draw
their instruments in their vernacular language.[19] So long has general
improvement to contend with the force of habit and the passion of
prepossession; and such were the difficulties which the vernacular style
of both these great empires had to overcome.
When the learned HICKES, in his patriotic fervour to trace the
legitimacy of the English from its parent language, adjudged that
"nine-tenths of our words were of Saxon origin," he exultingly appealed
to the Lord's Prayer, wherein there are only three words of French or
Latin extraction. This startled TYRWHIT, then busied on his Chaucerian
glossary, and who in that labour had before him a different aspect of
our mottled English. That was not the day when writers would maintain
opinions against authority. Awed by the great Saxonist, the poetical
antiquary compromised, alleging that "though the _form_ of our language
was still Saxon, yet the _matter_ was in a great measure French." His
successor in English philology, GEORGE ELLIS, still further faltered and
arbitrated; suggesting that the great Saxonist, to complete his
favourite scheme, would trace some _old Gaulish_ French to a _Teutonic_
origin. In tracing the formation of the English language, we are
sensible that the broad and solid foundations lie in the Saxon, but the
superstructure has often, with a magical movement, varied in its
architecture. An enamoured Saxonist has recently ventured to assert that
"English is but another term for Saxon;" but an ocular demonstration has
been exhibited in specimens of the _modern English_ of our
master-writers, marking by italics all the words of Saxon derivation. By
these it appears that the translators of the Bible have happily
preserved for us the pristine simplicity of our Saxon-English, like the
light in a cathedral through its storied and saintly window, shedding
its antique hues on hallowed objects. But as we advance, we discover in
our most eminent writers the anglicisms diminish; and SHARON TURNER has
observed that a fifth of the Saxon language has ceased to be used. A
Public-domain text, read in full here on John Shaqi.
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