Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
Nature in her distinct forms lies open before this poet-painter; his
creative eye pursued her through all her mutability, but in his details
he was a close copier. In his rural scenery there is a freshness in its
luxuriance; for his impressions were stamped by their locality. This
locality is so remarkable, that Pope had a notion, which he said no one
else had observed, that Chaucer always described real places to
compliment the owners of particular gardens and fine buildings. Let us
join him in his walks--
When that the misty vapour was agone,
And clear and fair was the morníng,
The dews, like silver, shiníng
Upon the leaves.
The flowers sparkle in "their divers hues"--he sometimes counts their
colours--"white, blue, yellow, and red"--on their stalks, spreading
their leaves in breadth against the sun, gold-burned. His grass is "so
small, so thick, so fresh of hue." The poet goes by a river whose water
is "clear as beryl or crystal;" turning into "a little way" towards a
park in compass round, and by a small gate.
Whoso that would freely might gone (go)
Into this Park walled with green stone.
The owner of that park, probably, was startled when he came to "the
little way," and to "the small gate." This was either the park of some
great personage, or possibly Woodstock Park, where stood a stone lodge,
so long known by the name of "Chaucer's House," that in the days of
Elizabeth it was still described as such in the royal grant. If poets
have rarely built houses, at least their names have consecrated many.
His
Garden upon a river in a green mead;
The gravel gold, the water pure as glass,
and "the eglantine and sycamore arbour, so thickly woven, where the
priers who stood without all day could not discover whether any one was
within," was assuredly some particular garden. The stately grove has all
the characters of its trees--the oak, the ash, and the fir--to "the
fresh hawthorn,"
Which in white motley that so swote doth smell.
In all these lovely scenes there was a delicious sense of joyous
existence; the inmates of the forest burst forth, from "the little
conies, the beasts of gentle kind," to "the dreadful roe and the buck,"
and from their green leaves they who "with voice of angels" entranced
the poet-musician--
So loud they sang that all the woodés rung
Like as it should shiver in pieces small,
And as methought that the Nightingale
With so great might her voice out-wrest,
Right as her heart for love would brest (burst).
So true is the accidental remark of the celebrated Charles Fox, that "of
all poets Chaucer seems to have been the fondest of the singing of
birds." These were the peculiar delights in the poetic habits of
Chaucer, who was an early riser, and often mused on many a rondel in
gardens, and meads, and woods, at earliest dawn. This poet's sun-risings
are the most exhilarating in our poetry.
Public-domain text, read in full here on John Shaqi.
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