Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
There was also another class of early chroniclers throughout Europe; men
who filled the office of a sort of royal historiographer, who
accompanied the king and the army in their progress, to note down the
occurrences they deemed most honourable or important to the nation. But
incidents written down by a monk in his cell, or by a diarist pacing the
round with majesty, would be equally warped, by the views of the
monastery in the one case, or by a flattering subservience to the higher
power in the other.
In this manner the early history of Europe was written; the more ancient
part was stuffed with fables; and when it might have become useful in
recording passages and persons of the writer's own times, we have a
one-sided tale, wherein, while half is suppressed, the other is
disguised by flattery or by satire. Such causes are well known to have
corrupted these first origins of modern history, a history in which the
commons and the people at large had very little concern, till the day
arrived, in the progress of society, when chronicles were written by
laymen in the vernacular idiom for their nation.
FOOTNOTES:
[1] Archbishop Plegmund superintended the Saxon Annals to the year
891. The first Chronicles, those of Kent or Wessex, were regularly
continued by the Archbishops of Canterbury, or by their directions,
as far as 1000, or even 1070.--"The Rev. Dr. Ingram's preface to the
Saxon Chronicle."
These were our earliest Chronicles; the Britons possibly never wrote
any.
[2] We have a remarkable instance among the Italian historians of
this period. Giovanni Villani wrote about 1330; Muratori discovered
that Villani had wholly transcribed the ancient portion of his
history from an old Chronicle of Malespini, who wrote about 1230,
without any acknowledgment whatever. Doubtless Villani imagined that
an insulated manuscript, during a century's oblivion, had little
chance of ever being classed among the most ancient records of
Italian history. Malespini's "Chronicle," like its brothers, was
stuffed with fables; Villani was honest enough not to add to them,
though not sufficiently so not silently to appropriate the whole
chronicle--the only one Dante read.--"Tiraboschi," v. 410, part 2nd.
[3] We have an elegant modern version of this monk's history by the
Rev. J. Sharpe.
ARNOLDE'S CHRONICLE.
Public-domain text, read in full here on John Shaqi.
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