Amenities of Literature: Consisting of Sketches and Characters of English Literature — John Shaqi
Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
It is among the Welsh we find a singular form of artificial memory which
can be traced among no other people. These are their TRIADS. Though
unauthorized by the learned in Celtic antiquities, I have sometimes
fancied that in the form we may possess a relic of druidical genius. A
triad is formed by classing together three things, neither more nor
less, but supposed to bear some affinity, though a fourth or fifth might
occur with equal claim to be admitted into the category.[12] To connect
three things together apparently analogous, though in reality not so,
sufficed for the stores of knowledge of a Triadist; but to fix on any
three incidents for an historical triad discovered a very narrow range
of research; and if designed as an artificial memory, three insulated
facts, deprived of dates or descriptions or connexion, neither settled
the chronology, nor enlarged the understanding. It is, however, worthy
of remark, that when the Triad is of an ethical cast, the number _three_
may compose an excellent aphorism; for three things may be predicated
with poignant concision, when they relate to our moral qualities, or to
the intellectual faculties: in this capricious form the Triad has often
afforded an enduring principle of human conduct, or of critical
discrimination; for our feelings are less problematical than historical
events, and more permanent than the recollection of three names.[13]
FOOTNOTES:
[1] See the opening of Speed's "Chronicle."
[2] The historian of our land in the solemnity of his high office,
unwilling that an obscure Welsh prince named _Prydain_ should have
left his immemorable name to this glorious realm, as a Welsh triad
professes, was delighted to draw the national name out of the native
tongue, appositely descriptive of the prevalent custom. But when,
seduced by this syren of etymology, our grave Camden, to display the
passion of a painted people for colours, collects a long list of
ancient British names of polysyllabic elongation, and culls from each
a single syllable which by its sound he conceives alludes to blue, or
red, or yellow, our sage, in proving more than was requisite, has
encumbered his cause, and has thrown suspicion over the whole. The
doom of the etymologist, so often duped by affinity of _sounds_,
seems to have been that of our judicious Camden.
[3] Evelyn's "Numismata." Pinkerton has engraven ten of these
Britannias struck by the Romans in his "Essay on Medals."
[4] Milton.
[5] See Mr. Turner's able "Vindication of the Genuineness of the
Ancient British Bards."
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