Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
Cædmon thus represents Satan:--"Then spoke the haughty king, who of
angels erst was _brightest, fairest in heaven_--beloved of his
master--_so beauteous was his form_, he was like to the light stars."
Milton's conception of the form of Satan is the same.
His form had not yet lost
All her _original brightness_, nor appear'd
Less than archangel ruin'd.[10]
And,
His countenance as the _morning star_ that guides
The starry flock, allured them.[11]
Literary curiosity may be justly excited to account for these apparent
resemblances, and to learn whether similarity and coincidence
necessarily prove identity and imitation; and whether, finally, Cædmon
was ever known to Milton.
The Cædmonian manuscript is as peculiar in its history as its subject.
This poem, which we are told fixed the attention of our ancestors "from
the sixth to the twelfth century," and the genius of whose writer was
"stamped deeply and lastingly upon the literature of our country,"[12]
had wholly disappeared from any visible existence. It was accidentally
discovered only in a single manuscript, the gift of Archbishop Usher to
the learned Francis JUNIUS. During thirty years of this eminent
scholar's residence in England, including his occasional visits to
Holland and Friesland, to recover, by the study of the Friesic living
dialect, the extinct Anglo-Saxon, he devoted his protracted life to the
investigation of the origin of the Gothic dialects. A Saxon poem,
considerable for its size and for its theme, in a genuine manuscript,
was for our northern student a most precious acquisition; and that this
solitary manuscript should not he liable to accidents, Junius printed
the original at Amsterdam in 1655, unaccompanied by any translation or
by any notes.
We must now have recourse to a few dates.
Milton had fallen blind in 1654. The poet began "Paradise Lost" about
1658; the composition occupied three years, but the publication was
delayed till 1667.
If Milton had any knowledge of Cædmon, it could only have been in the
solitary and treasured manuscript of Junius. To have granted even the
loan of the only original the world possessed, we may surmise that
Junius would not have slept through all the nights of its absence. And
if the Saxon manuscript was ever in the hands of Milton, could our poet
have read it?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account