Amenities of Literature: Consisting of Sketches and Characters of English Literature — John Shaqi
Amenities of Literature: Consisting of Sketches and Characters of English LiteratureDisraeli, Isaac
History
Amenities of Literature: Consisting of Sketches and Characters of English Literature
Disraeli, Isaac
Authors, English -- Biography; English literature -- History and criticism; Great Britain -- Intellectual life
We have every reason to believe that Milton did not read Saxon. At that
day who did? There were not "ten men to save the city." In Milton's
"History of England," a loose and solitary reference to the Saxon
Chronicle, then untranslated, was probably found ready at hand; for all
his Saxon annals are drawn from the Latin monkish authorities: and in
that wonderful list of one hundred dramatic subjects which the poet had
set down for the future themes of his muse, there are many on Saxon
stories; but all the references are to Speed and Hollinshed. The nephew
of the poet has enumerated all the languages in which Milton was
conversant--"the Hebrew, (and I think the Syriac,) the Greek, the
Latin, the Italian, the Spanish, and French." We find no allusion to any
of the northern tongues, which that votary of classical antiquity and of
Ausonian melody and fancy would deem--can we doubt it?--dissonant and
barbarous. The Northern Scalds were yet as little known as our own
Saxons. A recent discovery that Milton once was desirous of reading
Dutch may possibly be alleged by the Saxonists as an approach to the
study of the Saxon; but at that time Milton was in office as "the
Secretary for Foreign Tongues," and in a busy intercourse with the
Hollanders.[13]
"Secretary Milton" at that moment was probably anxious to con the
phrases of a Dutch state-paper, to scrutinise into the temper of their
style. Had Milton ever acquired the Dutch idiom for literary purposes,
to study Vondel, the Batavian Shakspeare,[14] from whom some foreigners
imagine our poet might have drawn his "Lucifer," it could not have
escaped the nephew in the enumeration of his uncle's philological
acquirements. But even to read Dutch was not to read a Saxon manuscript,
whose strange characters, uncouth abbreviations, and difficult
constructions, are only mastered by long practice. To have known
anything about the solitary Cædmon, the poet must have been wholly
indebted to the friendly offices of its guardian; a personal intimacy
which does not appear. The improbability that this scholar translated
the manuscript phrase by phrase is nearly as great as the supposition
that the poet could have retained ideas and expressions to be reproduced
in that epic poem, which was not commenced till several years after.
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