On many questions, fine points of ethnography, geography, navigation and the like, Irving neither could nor did he presume to speak finally. History has to be rewritten every few years wherever these questions are involved. But the letters of Columbus, the testimony of his contemporaries, the reports of friend and enemy, throw an unchanging light on character. The march of science can neither dim nor augment that light. Irving was emphatically a judge of human nature. He needed no help in making up his mind what sort of man Columbus was. Modern scholars with their magnificent scientific equipment sometimes forget that cartography, invaluable though it is, is after all a poor guide to character. And yet, by the testimony of one of those same modern scholars, Irving’s life of the Admiral, as a trustworthy and popular résumé, is still the best. One often wishes Irving had been less temperate. The barbarous tyranny of the Spaniards over the Indians of Hispaniola stirs the reader to deepest indignation. He longs for such treatment of the theme as Carlyle might possibly have given. Here is need of thunderbolts of wrath like unto those wielded by the Jupiter Tonans of history. But taken as a whole, the book has extraordinary virtues. It is a clear, full, well-ordered, picturesque, and readable narrative of the great explorer’s career. There is no better, nor is there likely to be a better. He who has time to read but one book on the discoverer of America will not go amiss in reading this one. He who proposes to read many books on the subject may well elect to read Irving’s first. The supplementary _Voyages of the Companions of Columbus_ narrates the adventures of Ojeda, that dare-devil of the high seas, of Nicuesa, of Vasco Nuñez, of Ponce de Leon. Though wanting the unity of the preceding volumes, these narratives are of high interest, and for vigor, animation, and picturesqueness must rank among the most attractive examples of Irving’s work. While making collateral studies bearing on the life of Columbus, Irving became so captivated with the romantic and chivalrous story of the fall of Granada that he found himself unable to complete his more sober task until he had sketched a rough outline of the new book. When the _Columbus_ was sent to the press, Irving made a tour of Andalusia, visited certain memorable scenes of the war, and on his return to Seville elaborated his sketch into the ornate and glowing picture known as _A Chronicle of the Conquest of Granada, by Fray Antonio Agapida_.