American literary mastersVincent, Leon H. (Leon Henry)
History
American literary masters
Vincent, Leon H. (Leon Henry)
American literature -- History and criticism; Authors, American
Cooper’s English at best, though fluent and spirited, is without grace;
at worst it is clumsy and intractable. This writer of world-wide fame
is singularly wanting in literary finish. He is not careless but
colorless, not slovenly but neutral. He succeeds almost without the aid
of what is commonly called ‘style.’ He is read for what he has to say,
not for the way in which he says it. There are surprises in store for
the reader, but they are not to be found in the perfect word, the happy
phrase, or the balance of a sentence, but always in the unexpected turn
of an adventure, in a well-planned episode abounding in incident, in
the release of mental tension following the happy issue out of danger.
As was said of another copious writer, ‘he weaves a loose web;’ one
might add that it is often of coarse fibre. In few writers of eminence
is form so subservient to contents. The defect was due to haste, to
the natural and lordly contempt of a spontaneous story-teller for the
niceties of rhetoric.
IV
ROMANCES OF THE AMERICAN REVOLUTION
_THE SPY_, _LIONEL LINCOLN_
Life in that unhappy strip of country known during the Revolution as
‘the neutral ground,’ Westchester County, New York, is the subject
of _The Spy_. Here frequent and bloody encounters took place between
skirmishers from the opposing armies. Marauding bands, ostensibly
‘loyal’ or ‘patriotic,’ though often composed of banditti, made life a
misery and a terror to peaceably inclined householders. Cooper wrote
from first-hand traditions. The family of his wife had been loyalists,
and the most famous of Westchester County raiders was a DeLancey.
The chief character is Harvey Birch, the Spy. Professing to be in the
employ of the British, he is the most trusted of Washington’s secret
agents. His devotion to his chief is a passion, almost a religion.
Mean of appearance, niggardly in his mode of life, he is capable of
the last degree of personal sacrifice. His patriotism is of the most
exalted kind, since it can have no proportionate reward. He must live
(perchance die) detested by the people for whom he risks his life
daily. Cooper makes us deeply interested in this uncouth being, who,
persecuted to the point of despair, and even brought to the gallows,
finds always a way of escape. Birch gambled with his life in stake.
It was a desperate throw when he destroyed the bit of paper signed by
Washington.
Public-domain text, read in full here on John Shaqi.
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