The romantic hero of the story is Peyton Dunwoodie, a youth whose ‘dark and sparkling glance’ played havoc with the hearts of impressionable ladies. But Peyton was true, and loved but one. More to the modern taste are the humors of Lawton and Sitgreaves, of Sergeant Hollister and Betty Flanagan. ‘Mr. Harper’ is impressive, and the mystery of his character well sustained. The ladies of ‘The Locusts’ have the quaint charm inseparable from other-day manners and costume. To be sure one of them, who seems likely to die of love, is mercifully killed by a random bullet, and another becomes a maniac. Novel-readers wanted a deal for their money in 1821. But Frances Wharton is a likable little creature, though her talk does not in the least resemble that of Miss Clara Middleton. As an Irish bishop said of _Gulliver’s Travels_, the book contains improbabilities. The device of a masque which converts young Henry Wharton into the counterfeit presentment of an old gray-headed negro is far-fetched. _The Spy_ was not intended to be a realistic novel. Cooper projected another story on the background of the Revolution. _Lionel Lincoln_, for all the work put on it, was not a success. It had merits among which the merit of spontaneity is not conspicuous. Had the failure been less apparent, the novelist might have been tempted to continue the ‘Legends of the Thirteen Republics.’ V THE LEATHER-STOCKING TALES AND OTHER INDIAN STORIES A French critic once remarked that nothing was so like a _chanson de geste_ as another _chanson de geste_. Readers have deplored the fact that nothing was so like a Leather-Stocking tale as another Leather-Stocking tale. But _The Pioneers_, the first of the series in order of composition, bears little resemblance to the others, and as a picture of life in a New York village at the end of the Eighteenth Century has a historical value. The narrative is firm in texture. The characters are thirty in number, and every man in his humor. The Judge, Cousin Richard, Mr. Grant the clergyman, all the town oddities, Monsieur Le Quoi, Major Hartmann, Doolittle, Kirby, and Benjamin are real and humanly interesting. The dialogue is fresh, racy, and appropriate. There is no effort at compression; winter evenings were long in 1824.