American painting and its tradition : $b as represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, SargentVan Dyke, John C.
History
American painting and its tradition : $b as represented by Inness, Wyant, Martin, Homer, La Farge, Whistler, Chase, Alexander, Sargent
Van Dyke, John C.
Painters -- United States; Painting -- United States
In 1860, while still a very young man, he exhibited at the Academy of
Design his picture called “Skating in Central Park.” The next year he
went to Washington to prepare drawings for Lincoln’s inauguration; and
the year following he was the special war-artist of _Harper’s Weekly_
with McClellan in the Peninsular Campaign. His first war-picture done
in oils is said to be a “Sharp-Shooter on Picket Duty.” It was soon
followed by “Rations,” “Home, Sweet Home,” and “The Lost Goose”--two of
them shown at the Academy of Design in 1863. The next year he sent “The
Briarwood Pipe” and “In Front of the Guard House.” In 1865 he was made
an academician for his picture called “The Bright Side,” and shortly
afterward his very popular painting “Prisoners from the Front” was
shown.
There is nothing remarkable about any of these works. “The Bright
Side,” which won Homer the title of N.A., shows some negro soldiers
sprawling on the sunny side of an army tent. Like “Rations” and
“Prisoners from the Front,” it is just a passable illustration that
if made to-day would run small risk of applause. We wonder over the
achievement of Homer’s later years, but one is not sure that the lack
of achievement in his earlier years is not the more surprising. How
could he do such commonplace little pictures! Occasionally something
like “Snap the Whip,” which has large drawing comes in to break the
monotony; but the dull trend is soon resumed. His audiences and editors
must have been decidedly uncritical or else extremely good-natured.
And at this time Homer had practically finished with his apprenticeship
to art. He was thirty years old and had already developed aloofness,
not to say taciturnity. He kept much by himself, would not look at
other people’s pictures or discuss them, would not take advice from any
one. This was not because his head had been turned by his popularity;
but possibly because he thought he could work out better results alone
than with the aid of others. In spite of a little noisy success, he
must have known that his paintings up to this time were of small
importance. They were hard in drawing, brick-like in color, cramped in
handling. Their illustrative quality and the fact that Homer did them
are the only interesting things about them to-day.
Public-domain text, read in full here on John Shaqi.
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