American renaissance; a review of domestic architecture — John Shaqi
American renaissance; a review of domestic architectureDow, Joy Wheeler
History
American renaissance; a review of domestic architecture
Dow, Joy Wheeler
Architecture -- United States; Architecture, Domestic
PLATE XLVII.
[Illustration: GRACE CHURCH RECTORY.]
At any rate, we realize as never before how disorganized the social
fabric must have been at the period, and how it had deteriorated from
that of the older régimes. It is all but ludicrous, that entry in the
diary where the connoisseurs gather in Barclay Street to pay their
respects to such mediocre art as was exemplified by the allegorical
series of paintings called “The Voyage of Life.” The reader remembers
the old engravings of them, I dare say, very well. But we know that the
connoisseurs did do this very silly thing, because Philip Hone’s diary
is indisputable and exact evidence uncolored. It is incredible,
nevertheless, that a political expediency should have caused the whole
nation to forget so readily the proficiency in art matters attained by
preceding generations, and, presto! resolved its most representative
spirits into an unpromising class of abecedarians.
There is a tone often noticeable throughout the memoirs of Philip Hone,
who sometimes made trips abroad in the sailing packets of his day,
thereby extending the scope of his own horizon, as though he were a bit
ashamed of the crude provincialism of his compatriots when it was the
custom to speak the English language incorrectly, and when the three
Rs--“Reading, Riting and Rithmetic”--were all the academic preparation
for a life of usefulness that was required. Indeed, if he were quick at
figures, could follow Webster’s spelling book, and make neat flourishes
with his pen, no young man of the Transitional period need ever have
despaired of positions and promotion.
The question often heard, now-a-days, “What chance has a man for
self-cultivation in a boom town?” applies very nearly to the metropolis
of the Transitional period.[5] What use more profitable could one have
found for his time than speculation in real estate, if one could buy a
house for $25,000, as did Philip Hone, and sell it within a few years
for $60,000? Certainly, there was little inducement to pursue art in
such a phenomenally active market for values. The best that could be
expected of the very busy man of the day was to send his son betimes to
college and to Europe, the liberal education, it is true, often
unfitting him again for business as it was transacted in America. There
was a manufacturer of Transitional furniture who sent his son to Paris
to learn cabinet-making of those most renowned of European artificers;
and I have it from the son himself that he was, afterwards, obliged to
unlearn and forget all his Parisian training in order to meet the home
demand for cheap and tawdry stuff. Fancy!
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