American renaissance; a review of domestic architecture — John Shaqi
American renaissance; a review of domestic architectureDow, Joy Wheeler
History
American renaissance; a review of domestic architecture
Dow, Joy Wheeler
Architecture -- United States; Architecture, Domestic
The art prophet which this bourgeois epoch produced corresponded exactly
to it--just such a one as might be naturally expected--John Ruskin, old
fogy with ideas of no practical value to communicate to the world, but,
like Browning and Emerson, full of words, rhymes and sentences. Ruskin
conceived a violent passion _à la_ Plato for the Gothic mode of
building. He affected to deplore the “foul flood of the Renaissance.”
And his great theory was that as the leaves of plants nearly always
terminate in a point, it was intended by nature that man should take
pattern therefrom for his architecture. To make a theory so point-device
consistent Ruskin went so far as to criticise those leaves of plants
which terminate in other ways. Imagine some classic writer tracing the
origin of the Roman arch to lily-pads which may have floated in the
Tiber!
The only really clever observation concerning architecture Ruskin
ever made was the metaphor he applied to the great mediæval
cathedrals--“frozen music.” But he was not a purist of Gothic
architecture in the truer sense. Had he been so, he would have defended
the Tudor castles of England against Renaissance obtrusion; for the
Tudor architecture was a true development of the home idea, legitimate
and historical, while that of the Gothic cathedrals was not intended to
serve for dwelling-houses by any possible contingency. Yet Ruskin
persisted in the feasibility of an anomalous adaptation, something, as a
matter of fact, that nobody has achieved with very great credit. For
rectories and parish houses the ecclesiastic Gothic may serve as far as
sentiment and harmony are desired; but for practical uses it is a
failure applied to dwelling-houses. Grace Church rectory is extremely
disappointing within if we consider all the disiderata of a modern home,
however suggestive of comfort it may be to the casual observer. (See
Plate XLVII).
PLATE XLVIII.
[Illustration: NO. 23 BOND ST., NEW YORK.]
[Illustration: THE SARGENT HOUSE (COMMON, EAST), NEW HAVEN.]
[Illustration: EAST FOURTH ST., NEW YORK.]
Public-domain text, read in full here on John Shaqi.
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