American War Ballads and Lyrics, Volume 1 (of 2): A Collection of the Songs and Ballads of the Colonial Wars, the Revolutions, the War of 1812-15, the War with Mexico and the Civil War
History
American War Ballads and Lyrics, Volume 1 (of 2): A Collection of the Songs and Ballads of the Colonial Wars, the Revolutions, the War of 1812-15, the War with Mexico and the Civil War
United States -- History -- Poetry; War poetry, American; War songs -- United States -- Texts
The editor of these volumes makes grateful acknowledgment of the
courtesy of Messrs. Houghton, Mifflin, & Co., Harper & Brothers,
Ticknor & Co., and D. Lothrop & Co., in freely permitting him to make
use of poems of which they own the copyright, and of their other good
offices. He feels himself indebted also to the living authors of
many poems here presented, for their readiness in consenting to the
use of their writings, and for the care that many of them have taken
to furnish him with correct versions of poems commonly printed in
inaccurate forms. He is under special obligations in this regard to
General Albert Pike, who has furnished a transcript, from his own copy
of a rare, privately printed volume, of the stirring ballad "Buena
Vista," for which a vain search had been made.
[Illustration]
PREFACE AND INTRODUCTION.
In the preparation of these volumes there has been no attempt at
completeness. The literature from which the materials are drawn is
much too vast to be compressed into two little volumes like these. The
aim has been simply to make the collection fairly representative in
character, and to include in it those pieces relating to our several
wars which best reflect the spirit of the times that produced them.
The work of selection in such a case must always be difficult and the
result more or less unsatisfactory. There are many reasons for this,
some of which no one who has not undertaken a task of this kind can
fully appreciate. There is no fixed standard of judgment by which to
make a certainly just comparative estimate of the quality of several
poems, some of which must be taken and the others left. Merit, in
the case of war poems, is the composite result of so many different
things that no criticism can hope to make an entirely satisfactory
qualitative analysis of such literature. The poetic quality of some
pieces entitles them to editorial acceptance, quite irrespective of
other considerations, while there are other pieces having very little
poetic quality, or none at all, whose claim to consideration on other
grounds is incontestable. Mr. Stedman's "Wanted--A Man," Mr. William
Winter's exquisitely tender poem "After All," Miss Osgood's "Driving
Home the Cows," and Mr. George Parsons Lathrop's "Keenan's Charge," may
serve as examples of pieces which no editor with the least capacity of
poetic appreciation would hesitate to include in such a collection on
the ground of merit even if their character were somewhat at variance,
as in this case it is not, with the scheme of the collection. On the
other hand there are such things as "Three Hundred Thousand More,"
several of the rude songs of the war of 1812, and many other pieces,
which make equally imperative claims to favor on grounds that have no
relation to the question of poetic merit.
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