Among the Wild Tribes of the Afghan Frontier: A Record of Sixteen Years' Close Intercourse with the Natives of the Indian MarchesPennell, T. L. (Theodore Leighton)
Religion
Among the Wild Tribes of the Afghan Frontier: A Record of Sixteen Years' Close Intercourse with the Natives of the Indian Marches
Pennell, T. L. (Theodore Leighton)
Afghanistan -- Social life and customs; Afghans; Khyber Pakhtunkhwa (Pakistan) -- Social life and customs; Missions -- Asia, Central; Missions, Medical -- Pakistan -- North-West Frontier Province; Pennell, T. L. (Theodore Leighton), 1867-1912; Punjab (India) -- Social life and customs; Pushtuns
No description of Afghan life would be complete which did not give
an account of their public dances. These take place on the 'Id days,
or to celebrate some tribal compact, or the cessation of hostilities
between two tribes or sections. It can only be seen in its perfection
across the border, for in British India the more peaceful habits
of the people and the want of the requisite firearms have caused
it to fall into desuetude. Across the frontier some level piece of
ground is chosen, and a post is fixed in the centre. The men arrange
themselves in ever-widening circles round this centre and gyrate round
it, ever keeping the centre on the left, so as to give greater play
to their sword-arms. The older and less nimble of the warriors form
the inner circles; outside them come the young men, who dance round
with surprising agility, often with a gun in one hand and a sword in
the other, or, it may be, with a sword in each hand, which they wave
alternately in circles round their heads. Outside them, again, circle
the horsemen, showing their agility in the saddle and their skill
with the sword or gun at the same time. On one side are the village
minstrels, who give the tune on drums and pipes. They begin with a slow
beat, and one sees all the circles going round with a measured tread;
then the music becomes more and more rapid, and the dancers become
more and more carried away with excitement, and to the onlooker it
appears a surging mass of waving swords and rifles. The rifles are
as often as not loaded and discharged from time to time, at which the
gyrations of the horsemen on the outside become more and more excited,
and one wonders that heads and arms are not gashed by the swords which
are seen waving everywhere. Suddenly the music ceases, and all stop to
regain their breath, to start again after a few minutes, until they
are tired out. The excitement and the intricate revolutions often
bring the scene to the brink of a real warfare, and not infrequently
it ends in bloodshed. In one instance, where a man fell, and in
falling discharged his rifle with fatal effect into another dancer,
the unintentional murderer would have had his throat cut there and
then had not his friends hurriedly dragged him out and carried him
off to his home, fighting as they went. In this way blood-feuds are
sometimes started, which will divide a village into two factions,
and not end till some of the bravest have fallen victims to it.
Public-domain text, read in full here on John Shaqi.
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