Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefs — John Shaqi
Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefsBilby, Julian W.
Religion
Among unknown Eskimo: An account of twelve years intimate relations with the primitive Eskimo of ice-bound Baffin Land, with a description of their ways of living, hunting customs & beliefs
Bilby, Julian W.
Baffin Island (Nunavut); Eskimo mythology; Eskimos -- Religion
Inside the entrance hang the bags of seal oil used for lighting or
cooking purposes. Then there are the cooking pots (“kettles,” as they
are called), deep, oblong boxes of soapstone without a lid. And the
lamps, also of soapstone, and in shape not unlike a crumb tray, with a
raised lip and a little shelf at the back for refuse bits of wick.
These “lamps” are fed with seal oil. The wick consists of dried moss
and gossypium. This is moulded into pellets; a row of wick balls is set
on the rim of the lamp and then kneaded down into a line upon it and
kept carefully trimmed, so that the edge of flame remains clear and
bright. All the cooking is done over a “lamp” of this description,
unless over a fire of heather and driftwood out in the open. The Eskimo
housewife uses a blubber hammer (a stone, or mallet of ivory tusk set
in a wooden handle), to beat down the seal or whale fat into oil for
her lamps. Her furs, and her cooking pots, together with her needles,
and knives and implements for dressing skins, constitute the Eskimo
woman’s domestic outfit; a training in the clever use of them is the
Eskimo girl’s education, and the dowry of the Eskimo bride. The tent
and these impedimenta are portable enough for the wanderings of the
arctic summer, and it is remarkable what an amazing host and medley of
belongings can be stowed in the family travelling boat, and unloaded
from it—a veritable Pandora’s box—at the next bit of summer beach.
The winter locale and the winter dwelling is altogether another story.
The tribe having chosen the site of a village in some sheltered bay,
near a frozen lake or stream (or, at any rate, where ice or water can
be obtained), will return to it year after year, and remain there
throughout the long dark season, until the time comes round again for
the summer-exodus. An occasional excursion is undertaken by both men
and women in search of supplies, but the old folk are left on guard.
The building of this village is quite a work of art, and is begun as
soon as the snow lies deep enough. Before this happens, the tents have
been getting very cold to live in, despite the stitching on of several
layers of dried heather to break the force of the wind and keep all
snug inside. At last a day comes when by common consent the hunters all
remain in camp, and join forces with the old men and the boys to build
the winter dwellings.
Each man plans and builds his own house according to the size of his
family; but only in his turn, and assisted by the rest of the
community, to whom he has already given, or is prepared to give, his
services. The first houses to be erected are those of the Angakooeet,
the Medicine Men; the chief hunters are the next to be considered, and
everyone else comes in the order of his estimation in the tribe.
Public-domain text, read in full here on John Shaqi.
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