An Account of the Abipones, an Equestrian People of Paraguay, (2 of 3)Dobrizhoffer, Martin
History
An Account of the Abipones, an Equestrian People of Paraguay, (2 of 3)
Dobrizhoffer, Martin
Abipon Indians; Jesuits -- Missions; Paraguay -- Description and travel -- Early works to 1800
About night-fall an Abiponian boy brought an iron bridle, an axe, and
some other trifles, the treasures of his family, to be guarded in my
house. On being asked the reason of his doing so, he replied that the
enemies would arrive in the night; for so it had been predicted by his
mother, a famous juggler, who declared that whenever the enemy was
approaching, she felt a pricking sensation in her left arm. "Oh!"
replied I, "you may attribute that to the fleas, my good lad. I can tell
you this on my own experience. Day and night I feel my left and my right
arm too, as well as other parts of my body, insolently pricked and stung
by fleas. If that were an indication of the enemy, we should never be
free from their attacks night or day." But my words were vain; for the
report of the old woman's presage got abroad, and disturbed the whole
town all night. Yet, as often happened, no sign or vestige of the enemy
appeared.
The Abipones, whom the desire of booty or glory induces to be constantly
scheming war against others, are, in consequence, never free from
suspicions of machinations against themselves. The more ardently they
desire to take measures for their safety, the more readily do they
believe themselves in danger from others, and generally for some foolish
reason. A light rumour, smoke seen from a distance, strange foot-marks,
or the unseasonable barking of dogs, fills them with suspicions that
their lives are in danger from the enemy, especially when they dread
their vengeance for slaughters which themselves have lately committed.
The task of tranquillizing and preparing their minds devolves upon the
jugglers, who, whenever any thing is to be feared, or any thing to be
done, consult the evil spirit. About the beginning of the night a
company of old women assemble in a huge tent. The mistress of the band,
an old woman remarkable for wrinkles and grey hairs, strikes every now
and then two large discordant drums, at intervals of four sounds, and
whilst these instruments return a horrible bellowing, she, with a harsh
voice, mutters kinds of songs, like a person mourning. The surrounding
women, with their hair dishevelled and their breasts bare, rattle
gourds, and loudly chaunt funeral verses, which are accompanied by a
continual motion of the feet, and tossing about of the arms. But this
infernal music is rendered still more insupportable by other performers,
who keep constantly beating pans which are covered with deers' skin, and
sound very acutely, with a stick. In this manner the night is passed. At
day-break all flock to the old woman's tent, as to a Delphic oracle. The
singers receive little presents, and are anxiously asked what their
grandfather has said. The replies of the old women are generally of such
doubtful import, that whatever happens they may seem to have predicted
the truth. Sometimes the devil is consulted by different women, in
different tents, the same night. At day-break one party will
Public-domain text, read in full here on John Shaqi.
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