We looked in upon the annual exhibition of pictures at the Palais de l'Industrie one day, and were particularly impressed with the _nudité_ of the modern school of French art. Pink-tinted flesh may be very beautiful, but there must be something higher! We saw there, too, another day, the clock on exhibition for a time before being consigned to its destined place at Beauvais. It was even more wonderful than the one so famous at Strasbourg. This was of the size of an ordinary church organ, and of similar shape; a mass of gilt and chocolate-colored wood; a mass of dials, great and small--of time tables, and, indeed, of tables for computing everything earthly and heavenly, with dials to show the time in fifty different places, and everything else that could, by any possible connection with time, be supposed to belong to a clock. Upon the top, Christ, seated in an arm-chair, was represented as judging the world, his feet upon the clouds; on either side kneeling female figures adored him. Just below, a pair of scales bided their time. On every peak stood little images, while fifty puppets peeped out of fifty windows. Just below the image of the Saviour, a figure emerged through an open door at the striking of every quarter of an hour,--coming out with a slide and occasional jerk by no means graceful. We had an opportunity of observing all this in the three quarters of an hour of waiting. We viewed the clock upon every side, being especially interested in a picture at one point representing a rocky coast, a light-house, and a long stretch of waves upon which labored two ships attached in some way to the works within. They pitched back and forth without making any progress whatever, in a way very suggestive to us, who had lately suffered from a similar motion. A dozen priests seated themselves with us upon the bench before the clock as the hand approached the hour. They wore the long black robes and odd little skull-caps, that fit so like a plaster, and which are, I am sure, kept in place by some law of attraction unknown to us. One, of a different order, or higher grade, in a shorter robe and with very thin legs, encased in black stockings that added to their shadowy appearance, shuffled up to his place just in time to throw back his head and open his mouth as the clock struck, and the last judgment began. The cock upon the front gave a preliminary and weak flap of his wings, and emitted three feeble, squeaky crows, that must, I am sure, have convulsed the very puppets. Certainly they all disappeared from the windows, and something jumped into their places intended to represent flames, but which looked so much like reversed tin petticoats, that we supposed for a moment they were all standing on their heads. All the figures upon the peaks turned their backs upon us. The image of Christ began to wave its hands. The kneeling women swayed back and forth, clasping their own. Two angels raised to their lips long, gilt