trumpets, as if to blow a blast; then dropped them; then raised them a second time, and even made a third abortive attempt. From one of the open doors Virtue was jerked out to be judged, Virtue in a red gown. The scales began to dance up and down. An angel appeared playing a guitar, and Virtue went triumphantly off to the right, to slow and appropriate music, an invisible organ playing meanwhile. Then Vice appeared. I confess he excited my instant and profound pity. Such a poor, naked, wretched-looking object as he was! with his hands to his face, as though he were heartily ashamed to come out in such a plight. I venture to say, if he had been decked out like Virtue, he might have stolen off to the right, and nobody been the wiser. Good clothes do a great deal in Paris. As it was, the scales danced up and down a moment, and then the devil appeared with a sharp stick, and drove him around the corner to the left, with very distant and feeble thunder for an accompaniment. That ended the show. All the little puppets jumped back into all the little windows, and we came away. Speaking of picture galleries, we spent a pleasant hour in the gallery of the Luxembourg--a collection of paintings made up from the works of living artists, and of those who have been less than a year deceased. It is sufficiently small to be enjoyable. There is something positively oppressive in the vastness of many of these galleries. You feel utterly unequal to them; as though the finite were about to attempt the comprehension of the infinite. One picture here, by Ary Scheffer, was exhibited in America, a few years since. It is the head and bust of a dead youth in armor--a youth with a girlish face. There are others by Henri Scheffer, Paulin Guerin, and a host more I will not name. One, a scene in the Conciergerie, "Reading the List of the Condemned to the Prisoners," by Müller, haunted me long after the doors had swung together behind us. The palace of the Luxembourg, small, remarkable for the beauty of its architecture and charming garden, built for that graceless regent, Marie de Medici, is now the residence of the president of the Senate; and indeed the Senate itself meets here. We were shown through the rooms open to the public, the private apartments of Marie de Medici among them, in one of which was a bust of the regent. The garden, like all gardens, is filled with trees and shrubs, flowers and fountains, but yet with a certain charm of its own. The festooning of vines from point to point was a novelty to us, as was the design of one of the fountains. Approaching it from the rear, we thought it a tomb,--perhaps the tomb of Marshal Ney, we said, whose statue we were seeking. It proved to be an artificial grotto, and within it, sprinkled with the spray of the fountain, embowered in a mass of glistening, green ivy, reclined a pair of pretty, marble lovers; peering in upon them from above, scowled a dreadful ogre--a horrible giant. The whole effect,