An Attic Philosopher in Paris — Volume 1Souvestre, Émile
Philosophy
An Attic Philosopher in Paris — Volume 1
Souvestre, Émile
Paris (France) -- Fiction
M. Antoine shook his head, and went on again with his supper.
"Every one keeps his holidays in his own way," resumed he, beginning
again to dip a crust into his glass. "There are several sorts of
epicures, and not all feasts are meant to regale the palate; there are
some also for the ears and the eyes."
I looked involuntarily round me, as if to seek for the invisible banquet
which could make up to him for such a supper.
Without doubt he understood me; for he got up slowly, and, with the
magisterial air of a man confident in what he is about to do, he rummaged
behind several picture frames, drew forth a painting, over which he
passed his hand, and silently placed it under the light of the lamp.
It represented a fine-looking old man, seated at table with his wife, his
daughter, and his children, and singing to the accompaniment of musicians
who appeared in the background. At first sight I recognized the subject,
which I had often admired at the Louvre, and I declared it to be a
splendid copy of Jordaens.
"A copy!" cried M. Antoine; "say an original, neighbor, and an original
retouched by Rubens! Look closer at the head of the old man, the dress
of the young woman, and the accessories. One can count the pencil-
strokes of the Hercules of painters. It is not only a masterpiece, sir;
it is a treasure--a relic! The picture at the Louvre may be a pearl,
this is a diamond!"
And resting it against the stove, so as to place it in the best light,
he fell again to soaking his crusts, without taking his eyes off the
wonderful picture. One would have said that the sight of it gave the
crusts an unexpected relish, for he chewed them slowly, and emptied his
glass by little sips. His shrivelled features became smooth, his
nostrils expanded; it was indeed, as he said himself, "a feast for the
eyes."
"You see that I also have my treat," he resumed, nodding his head with an
air of triumph. "Others may run after dinners and balls; as for me, this
is the pleasure I give myself for my Carnival."
"But if this painting is really so precious," replied I, "it ought to be
worth a high price."
"Eh! eh!" said M. Antoine, with an air of proud indifference. "In good
times, a good judge might value it at somewhere about twenty thousand
francs."
I started back.
"And you have bought it?" cried I.
"For nothing," replied he, lowering his voice. "These brokers are asses;
mine mistook this for a student's copy; he let me have it for fifty
louis, ready money! This morning I took them to him, and now he wishes
to be off the bargain."
"This morning!" repeated I, involuntarily casting my eyes on the letter
containing the refusal that M. Antoine had made me write to his son's
widow, which was still on the little table.
He took no notice of my exclamation, and went on contemplating the work
of Jordaens in an ecstasy.
Public-domain text, read in full here on John Shaqi.
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