An Attic Philosopher in Paris — Volume 1Souvestre, Émile
Philosophy
An Attic Philosopher in Paris — Volume 1
Souvestre, Émile
Paris (France) -- Fiction
"What a knowledge of chiaroscuro!" he murmured, biting his last crust in
delight. "What relief! what fire! Where can one find such transparency
of color! such magical lights! such force! such nature!"
As I was listening to him in silence, he mistook my astonishment for
admiration, and clapped me on the shoulder.
"You are dazzled," said he merrily; "you did not expect such a treasure!
What do you say to the bargain I have made?"
"Pardon me," replied I, gravely; "but I think you might have done
better."
M. Antoine raised his head.
"How!" cried he; "do you take me for a man likely to be deceived about
the merit or value of a painting?"
"I neither doubt your taste nor your skill; but I cannot help thinking
that, for the price of this picture of a family party, you might have
had--"
"What then?"
"The family itself, sir."
The old amateur cast a look at me, not of anger, but of contempt.
In his eyes I had evidently just proved myself a barbarian, incapable of
understanding the arts, and unworthy of enjoying them. He got up without
answering me, hastily took up the Jordaens, and replaced it in its
hiding-place behind the prints.
It was a sort of dismissal; I took leave of him, and went away.
Seven o'clock.--When I come in again, I find my water boiling over my
lamp, and I busy myself in grinding my Mocha, and setting out my coffee-
things.
The getting coffee ready is the most delicate and most attractive of
domestic operations to one who lives alone: it is the grand work of a
bachelor's housekeeping.
Coffee is, so to say, just the mid-point between bodily and spiritual
nourishment. It acts agreeably, and at the same time, upon the senses
and the thoughts. Its very fragrance gives a sort of delightful activity
to the wits; it is a genius that lends wings to our fancy, and transports
it to the land of the Arabian Nights.
When I am buried in my old easy-chair, my feet on the fender before a
blazing fire, my ear soothed by the singing of the coffee-pot, which
seems to gossip with my fire-irons, the sense of smell gently excited by
the aroma of the Arabian bean, and my eyes shaded by my cap pulled down
over them, it often seems as if each cloud of the fragrant steam took a
distinct form. As in the mirages of the desert, in each as it rises, I
see some image of which my mind had been longing for the reality.
At first the vapor increases, and its color deepens. I see a cottage on
a hillside: behind is a garden shut in by a whitethorn hedge, and through
the garden runs a brook, on the banks of which I hear the bees humming.
Then the view opens still more. See those fields planted with apple-
trees, in which I can distinguish a plough and horses waiting for their
master! Farther on, in a part of the wood which rings with the sound of
the axe, I perceive the woodsman's hut, roofed with turf and branches;
and, in the midst of all these rural pictures, I seem to see a figure of
myself gliding about. It is my ghost walking in my dream!
Public-domain text, read in full here on John Shaqi.
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