An Edinburgh Eleven: Pencil Portraits from College LifeBarrie, J. M. (James Matthew)
General
An Edinburgh Eleven: Pencil Portraits from College Life
Barrie, J. M. (James Matthew)
University of Edinburgh -- Biography
When one of the distinguished hunting ladies who chase celebrities
captured Mr. Mark Pattison, he gave anxious consideration to the
quotation which he was asked to write above his name. "Fancy," he said
with a shudder, "going down to posterity arm in arm with _carpe diem_!"
Remembering this, I forbear tying Sellar to _odi profanum vulgus_. Yet
the name opens the door to the quotation. Sellar is a Roman senator. He
stood very high at Oxford, and took a prize for boxing. If you watch
him in the class, you will sometimes see his mind murmuring that
Edinburgh students do not take their play like Oxford men. The
difference is in manner. A courteous fellow-student of Sellar once
showed his relatives over Balliol. "You have now, I think," he said at
last, "seen everything of interest except the master." He flung a
stone at a window, at which the master's head appeared immediately,
menacing, wrathful. "And now," concluded the polite youth, "you have
seen him also."
Mr. James Payn, who never forgave the Scottish people for pulling down
their blinds on Sundays, was annoyed by the halo they have woven around
the name "professor." He knew an Edinburgh lady who was scandalized
because that mere poet, Alexander Smith, coolly addressed professors by
their surnames. Mr. Payn might have known what it is to walk in the
shadow of a Senatus Academicus could he have met such specimens as
Sellar, Fraser, Tait, and Sir Alexander Grant marching down the Bridges
abreast. I have seen them: an inspiriting sight. The pavement only held
three. You could have shaken hands with them from an upper window.
Sellar's treatment of his students was always that of a fine gentleman.
Few got near him; all respected him. At times he was addressed in an
unknown tongue, but he kept his countenance. He was particular about
students keeping to their proper benches, and once thought he had
caught a swarthy north countryman straying. "You are in your wrong
seat, Mr. Orr." "Na, am richt eneuch." "You should be in the seat in
front. That is bench 12, and you are entered on bench 10." "Eh? This is
no bench twal, [counting] twa, fower, sax, aucht, ten." "There is
something wrong." "Oh-h-h, [with sudden enlightenment] ye've been
coontin' the first dask; we dinna coont the first dask." The professor
knew the men he had to deal with too well to scorn this one, who turned
out to be a fine fellow. He was the only man I ever knew who ran his
medical and arts classes together, and so many lectures had he to
attend daily that he mixed them up. He graduated, however, in both
faculties in five years, and the last I heard of him was that, when
applying for a medical assistantship, he sent his father's photograph
because he did not have one of himself. He was a man of brains as well
as sinew, and dined briskly on a shilling a week.
Public-domain text, read in full here on John Shaqi.
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