An Edinburgh Eleven: Pencil Portraits from College LifeBarrie, J. M. (James Matthew)
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An Edinburgh Eleven: Pencil Portraits from College Life
Barrie, J. M. (James Matthew)
University of Edinburgh -- Biography
Sellar's face was proof against wit. It did not relax till he gave it
liberty. You could never tell from it what was going on inside. He read
without a twitch a notice on his door: "Found in this class a
gold-headed pencil case; if not claimed within three days will be sold
to defray expenses." He even withstood the battering-ram on the day of
the publication of his "Augustan Poets." The students could not let
this opportunity pass. They assailed him with frantic applause; every
bench was a drum to thump upon. His countenance said nothing. The drums
had it in the end, though, and he dismissed the class with what is
believed to have verged on a smile. Like the lover who has got his
lady's glance, they at once tried for more, but no.
Most of us had Humanity our first year, which is the year for
experimenting. Then is the time to join the university library. The
pound, which makes you a member, has never had its poet. You can
withdraw your pound when you please. There are far-seeing men who work
the whole thing out by mathematics. Put simply, this is the notion. In
the beginning of the session you join the library, and soon you forget
about your pound; you reckon without it. As the winter closes in, and
the coal-bunk empties; or you find that five shillings a week for
lodgings is a dream that cannot be kept up; or your coat assumes more
and more the color identified with spring; or you would feast your
friends for once right gloriously; or next Wednesday is your little
sister's birthday; you cower, despairing, over a sulky fire. Suddenly
you are on your feet, all aglow once more. What is this thought that
sends the blood to your head? That library pound! You had forgotten
that you had a bank. Next morning you are at the university in time to
help the library door to open. You ask for your pound; you get it. Your
hand mounts guard over the pocket in which it rustles. So they say. I
took their advice and paid in my money; then waited exultingly to
forget about it. In vain. I always allowed for that pound, in my
thoughts. I saw it as plainly, I knew its every feature as a schoolboy
remembers his first trout. Not to be hasty, I gave my pound two months,
and then brought it home again. I had a fellow-student who lived across
the way from me. We railed at the library-pound theory at open windows
over the life of the street; a beautiful dream, but mad, mad.
Public-domain text, read in full here on John Shaqi.
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