An Edinburgh Eleven: Pencil Portraits from College LifeBarrie, J. M. (James Matthew)
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An Edinburgh Eleven: Pencil Portraits from College Life
Barrie, J. M. (James Matthew)
University of Edinburgh -- Biography
There is nothing in Mr. Stevenson's sometimes writing essays, sometimes
romances, and anon poems to mark him versatile beyond other authors.
One dreads his continuing to do so, with so many books at his back,
lest it means weakness rather than strength. He experiments too long;
he is still a boy wondering what he is going to be. With Cowley's
candor he tells us that he wants to write something by which he may be
forever known. His attempts in this direction have been in the nature
of trying different ways, and he always starts off whistling. Having
gone so far without losing himself, he turns back to try another road.
Does his heart fail him, despite his jaunty bearing, or is it because
there is no hurry? Though all his books are obviously by the same hand,
no living writer has come so near fame from so many different sides.
Where is the man among us who could write another "Virginibus
Puerisque," the most delightful volume for the hammock ever sung in
prose? The poems are as exquisite as they are artificial. "Jekyll and
Hyde" is the greatest triumph extant in Christmas literature of the
morbid kind. The donkey on the Cevennes (how Mr. Stevenson belabored
him!) only stands second to the "Inland Voyage." "Kidnapped" is the
outstanding boy's book of its generation. "The Black Arrow" alone, to
my thinking, is second class. We shall all be doleful if a marksman who
can pepper his target with inners does not reach the bull's-eye. But it
is quite time the great work was begun. The sun sinks while the climber
walks round his mountain, looking for the best way up.
Hard necessity has kept some great writers from doing their best work,
but Mr. Stevenson is at last so firmly established that if he
continues to be versatile it will only be from choice. He has attained
a popularity such as is, as a rule, only accorded to classic authors or
to charlatans. For this he has America to thank rather than Britain,
for the Americans buy his books, the only honor a writer's admirers are
slow to pay him. Mr. Stevenson's reputation in the United States is
creditable to that country, which has given him a position here in
which only a few saw him when he left. Unfortunately, with popularity
has come publicity. All day the reporters sit on his garden wall.
Public-domain text, read in full here on John Shaqi.
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