An Edinburgh Eleven: Pencil Portraits from College LifeBarrie, J. M. (James Matthew)
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An Edinburgh Eleven: Pencil Portraits from College Life
Barrie, J. M. (James Matthew)
University of Edinburgh -- Biography
No man has written in a finer spirit of the profession of letters than
Mr. Stevenson, but this gossip vulgarizes it. The adulation of the
American public and of a little band of clever literary dandies in
London, great in criticism, of whom he has become the darling, has made
Mr. Stevenson complacent, and he always tended perhaps to be a thought
too fond of his velvet coat. There is danger in the delight with which
his every scrap is now received. A few years ago, when he was his own
severest and sanest critic, he stopped the publication of a book after
it was in proof--a brave act. He has lost this courage, or he would
have rewritten "The Black Arrow." There is deterioration in the essays
he has been contributing to an American magazine, graceful and
suggestive though they are. The most charming of living stylists, Mr.
Stevenson is self-conscious in all his books now and again, but
hitherto it has been the self-consciousness of an artist with severe
critics at his shoulder. It has become self-satisfaction. The critics
have put a giant's robe on him, and he has not flung it off. He
dismisses "Tom Jones" with a simper. Personally Thackeray "scarce
appeals to us as the ideal gentleman; if there were nothing else [what
else is there?], perpetual nosing after snobbery at least suggests the
snob." From Mr. Stevenson one would not have expected the revival of
this silly charge, which makes a cabbage of every man who writes about
cabbages. I shall say no more of these ill-considered papers, though
the sneers at Fielding call for indignant remonstrance, beyond
expressing a hope that they lie buried between magazine covers. Mr.
Stevenson has reached the critical point in his career, and one would
like to see him back at Bournemouth, writing within high walls. We want
that big book; we think he is capable of it, and so we cannot afford to
let him drift into the seaweed. About the writer with whom his name is
so often absurdly linked we feel differently. It is as foolish to rail
at Mr. Rider Haggard's complacency as it would be to blame Christopher
Sly for so quickly believing that he was born a lord.
Public-domain text, read in full here on John Shaqi.
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