An Essay on Colophons, with Specimens and TranslationsPollard, Alfred W. (Alfred William)
History
An Essay on Colophons, with Specimens and Translations
Pollard, Alfred W. (Alfred William)
Books -- History -- 1450-1600; Colophons; Incunabula -- Bibliography
The question of binding, as it concerns the colophon, is chiefly
interesting from the point it raises whether the colophon, representing
as it certainly did the title-page, was the sole clue to the contents of
a manuscript, or whether the binding was lettered by a label affixed,
or by the author’s name being written on it. The books represented in
the picture of “Ezra Writing the Law,” the frontispiece to the Codex
Amiatinus, reproduced in Mr. Clark’s work on “The Care of Books,” show no
signs of lettering; and centuries later, in the Augustinian Customs, we
find the librarian enjoined not to pack the books too closely together,
“_ne nimia compressio querenti moram invectat_.” Delay, therefore, in
finding a book on the shelf was recognized as an evil to be guarded
against: it is scarcely likely that this would have been so manifest if
the books had been distinctly lettered, or that the librarian would not
have been enjoined to supply lettering if lettering had been the practice.
It would seem, then, that the colophon of a manuscript would be the
principal means of affording information respecting its contents; but,
if we may so far extend the signification of the term as to cover any
addition made at the end by the transcriber, and having no reference
to the subject-matter of the book, it was capable of conveying much
beside. How touchingly the feelings of the copyist, “all with weary task
fordone,” craving to be assured that he has not labored in vain, are
portrayed in this final note to a volume written in the ninth century!
I beseech you, my friend, when you are reading my book, to keep
your hands behind its back, for fear you should do mischief to
the text by some sudden movement, for a man who knows nothing
about writing thinks that it is no concern of his.[1] Whereas
to a writer the last line is as sweet as the port is to a
sailor. Three fingers hold the pen, but the whole body toils.
Thanks be to God, I, Warembert, wrote this book in God’s name.
Thanks be to God. Amen.
Very moving, too, is the injunction of some tender spirit in a manuscript
of the fourteenth century:
Whoever pursues his studies in this book, should be careful to
handle the leaves gently and delicately, so as to avoid tearing
them by reason of their thinness; and let him imitate the
example of Jesus Christ, who, when he had quietly opened the
book of Isaiah and read therein attentively, rolled it up with
reverence, and gave it again to the Minister.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account