An Essay on Colophons, with Specimens and Translations — John Shaqi
An Essay on Colophons, with Specimens and TranslationsPollard, Alfred W. (Alfred William)
History
An Essay on Colophons, with Specimens and Translations
Pollard, Alfred W. (Alfred William)
Books -- History -- 1450-1600; Colophons; Incunabula -- Bibliography
Manuscripts, as the parents of printed books, have necessarily exercised
the greatest influence on their development. A step which might have
been very important was taken when, probably early in the fifth century,
the form most convenient for the printed book was established by the
definitive supersession of the roll form of manuscript by the _codex_, or
manuscript in modern book form. Codices are of sufficient antiquity to be
figured in the paintings at Pompeii, but the derivation from _caudices_,
thin leaves of wood, shows that they were not at first much used for
literary purposes, but rather for accounts or memoranda. When they began
to compete with the roll, a step in the direction of convenience which
may be appreciated by us if we can imagine that all our books had at
one time been printed in newspaper form, we find the colophon already
installed under the title of _index_. This did not denote the key to
the contents of a book, thought so indispensable in modern times, but
to the title, giving generally the subject and author of the book with
the utmost brevity, and written at the end, precisely like a colophon,
which in fact it was, though not bearing the name. As the papyrus roll
was not bound, there could be no lettering upon a cover unless when, as
was sometimes the case, a fine manuscript was inclosed within a case or
wrappage for its protection; and the inconvenience of having to open
every roll to find the title soon suggested the idea of hanging the index
outside the roll on a separate slip, brightly dyed so as to attract
attention. Examples may be seen in paintings from Pompeii. The general,
though as yet by no means universal, displacement of papyrus by parchment
led to the introduction of binding, early in the fifth century, as the
best method of preserving codices. It had, of course, been practised
before, but could not make much progress while the majority of books were
papyrus scrolls; and even in the case of codices it seems to have been
chiefly employed for the opportunity it afforded of adorning a valued
manuscript with a splendid exterior. The disuse of the roll, however,
soon made binding universal. In the Customs of the Augustinian priory at
Barnwell it is distinctly laid down: “As the books ought to be mended,
printed, and taken care of by the Librarian, so ought they to be properly
bound by him.”
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