=106.= The distinction between various points, then, is not a result, but a condition, of the projective coordinate system. The coordinate system is a wholly extraneous, and merely convenient, set of marks, which in no way touches the essence of projective Geometry. What we must begin with, in this domain, is the possibility of distinguishing various points from one another. This may be designated, with Veronese, as the first axiom of Geometry[119]. How we are to define a point, and how we distinguish it from other points, is for the moment irrelevant; for here we only wish to discover the nature of projective Geometry, and the kind of properties which it uses and demonstrates. How, and with what justification, it uses and demonstrates them, we will discuss later. =107.= Now it is obvious that a mere collection of points, distinguished one from another, cannot found a Geometry: we must have some idea of the manner in which the points are interrelated, in order to have an adequate subject-matter for discussion. But since all ideas of quantity are excluded, the relations of points cannot be relations of distance in the ordinary sense, nor even, in the sense of ordinary Geometry, anharmonic ratios, for anharmonic ratios are usually defined as the ratios of four distances, or of four sines, and are thus quantitative. But since all quantitative comparison presupposes an identity of quality, we may expect to find, in projective Geometry, the qualitative substrata of the metrical superstructure. And this, we shall see, is actually the case. We have not distance, but we _have_ the straight line; we have not quantitative anharmonic ratio, but we _have_ the property, in any four points on a line, of being the intersections with the rays of a given pencil. And from this basis, we can build up a qualitative science of abstract externality, which is projective Geometry. How this happens, I shall now proceed to show.