=120.= We can now see the reason for what may have hitherto seemed a somewhat arbitrary fact, namely, the necessity of _four_ collinear points for anharmonic ratio. Recurring to the quadrilateral construction and the consequent introduction of number, we see that anharmonic ratio is an intrinsic projective relation of four collinear points or concurrent straight lines, such that given three terms and the relation, the fourth term can be uniquely determined by projective methods. Now consider first a pair of points. Since all straight lines are projectively equivalent, the relation between one pair of points is precisely equivalent to that between another pair. Given one point only, therefore, no projective relation, to any second point, can be assigned, which shall in any way limit our choice of the second point. Given two points, however, there is such a relation--the third point may be given collinear with the first two. This limits its position to one straight line, but since two points determine nothing but one straight line, the third point cannot be further limited. Thus we see why no intrinsic projective relation can be found between three points, which shall enable us, from two, uniquely to determine the third. With three given collinear points, however, we have more given than a mere straight line, and the quadrilateral construction enables us uniquely to determine any number of fresh collinear points. This shows why anharmonic ratio must be a relation between four points, rather than between three.