An historical and moral view of the origin and progress of the French Revolution; and the effect it has produced in EuropeWollstonecraft, Mary
Philosophy
An historical and moral view of the origin and progress of the French Revolution; and the effect it has produced in Europe
Wollstonecraft, Mary
France -- History -- Revolution, 1789-1799 -- Causes
CHAPTER III.
THE MOB DEMAND THE KING’S REMOVAL TO PARIS. THIS CITY DESCRIBED. THE
KING REPAIRS TO THE CAPITAL, ESCORTED BY A DEPUTATION OF THE NATIONAL
ASSEMBLY AND THE PARISIAN MILITIA. THE KING’S TITLE CHANGED. PROCEEDINGS
OF THE NATIONAL ASSEMBLY. REFLECTIONS ON THE DECLARATION OF RIGHTS.
After the wild tumult, on the morning of the 6th of october, abated, the
king showed himself to the people, in the balcony, and the queen
followed with the dauphin in her arms. At first, he vainly attempted to
speak; but La Fayette informed the people, that his majesty came forward
to assure them, that it should be the business of his life to contribute
to the happiness of his people. _The king at Paris_, exclaimed a voice,
which was quickly re-echoed by the crowd. ‘My children,’ replied the
king, ‘you wish me to be at Paris, and I will go; but it is on the
condition, that my wife and family accompany me.’ A loud shout of _vive
le roi_ testified the extacy of the moment. The king made a sign to
demand silence; and then, with tears in his eyes addressed them
again.—‘Ah! my children, run to the relief of my guards.’ Immediately
two or three appeared in the balcony with the national cockade in their
hats, or the cap of liberty on their heads. The king threw his arms
round one of them, and the people following his example embraced those
whom they had taken prisoners in the court. One sentiment of gladness
seemed to animate the whole concourse of people; and their sensibility
produced as mad demonstrations of joy as lately had been displayed of
ferocity. The soldiery all mingled together, exchanging swords, hats, or
shoulder belts—exhibiting in the most striking manner the prominent
features of the french character.
Public-domain text, read in full here on John Shaqi.
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