Whether it is perfectly confident in an author, to solicit the
indulgence of the public, though it may stand first in his wishes,
admits a doubt; for, if his productions will not bear the light, it may
be said, why does he publish? but, if they will, there is no need to ask
a favor; the world receives one from him. Will not a piece everlastingly
be tried by its merit? Shall we esteem it the higher, because it was
written at the age of thirteen? because it was the effort of a week?
delivered extempore? hatched while the author stood upon one leg? or
cobbled, while he cobbled a shoe? or will it be a recommendation, that
it issues forth in gilt binding? The judicious world will not be
deceived by the tinselled purse, but will examine whether the _contents_
are sterling.
Will it augment the value of this history, or cover its blunders, to
say, that I have never seen _Oxford?_ That the thick fogs of penury,
prevented the sun of science from beaming upon the mind? That necessity
obliged me to lay down the battledore, before I was master of the
letters? And that, instead of handling systems of knowledge, my hands,
at the early period of seven, became callous with labour?
But, though a whole group of pretences will have no effect with the
impartial eye, yet one reason pleads strongly in my favor--no such thing
ever appeared as _An History of Birmingham_. It is remarkable, that one
of the most singular places in the universe is without an historian:
that she never manufactured an history of herself, who has manufactured
almost every thing else; that so many ages should elapse, and not one
among her numerous sons of industry, snatch the manners of the day from
oblivion, group them in design, with the touches of his pen, and exhibit
the picture to posterity. If such a production had ever seen the light,
mine most certainly would never have been written; a temporary bridge
therefore may satisfy the impatient traveller, till a more skilful
architect shall accommodate him with a complete production of elegance,
of use, and of duration.--Although works of genius ought to come out of
the mint doubly refined, yet history admits of a much greater latitude
to the author. The best upon the subject, though defective, may meet
with regard.
It has long been a complaint, that local history is much wanted. This
will appear obvious, if we examine the places we know, with the
histories that treat of them. Many an author has become a cripple, by
historically travelling through _all England_, who might have made a
tolerable figure, had he staid at home. The subject is too copious for
one performance, or even the life of one man. The design of history is
knowledge: but, if simply to tell a tale, be all the duty of an
historian, he has no irksome task before him; for there is nothing more
easy than to relate a fact; but, perhaps, nothing more difficult than to
relate it well.
Public-domain text, read in full here on John Shaqi.
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