The situation of an author is rather precarious--if the smiles of the
world chance to meet his labours, he is apt to forget himself; if
otherwise, he is soon forgot. The efforts of the critic may be necessary
to clip the wings of a presuming author, lest his rising vanity becomes
insupportable: but I pity the man, who writes a book which none will
peruse a second time; critical exertions are not necessary to pull him
down, he will fall of himself. The sin of writing carries its own
punishment, the tumultuous passions of anxiety and expectation, like
the jarring elements in October, disturb his repose, and, like them, are
followed by stirility: his cold productions, injured by no hand but that
of time, are found sleeping on the shelf unmolested. It is easy to
describe his fears before publication, but who can tell his feelings
after judgment is passed upon his works? His only consolation is
accusing the critic of injustice, and thinking the world in the wrong.
But if repentence should not follow the culprit, hardened in scribbling,
it follows, his bookseller, oppressed with _dead works_. However, if all
the evils in Pandora's box are emptied on a blasted author, this one
comfort remains behind--The keeper of a circulating library, or the
steward of a reading society can tell him, "His book is more _durable_
than the others."
Having, many years ago, entertained an idea of this undertaking, I made
some trifling preparations; but, in 1775, a circumstance of a private
nature occurring, which engaged my attention for several years, I
relinquished the design, destroyed the materials, and meant to give up
the thought for ever. But the intention revived in 1780, and the
work followed.
I may be accused of quitting the regular trammels of history, and
sporting in the fields of remark: but, although our habitation justly
stands first in our esteem, in return for rest, content, and protection;
does it follow that we should never stray from it? If I happen to veer a
moment from the polar point of Birmingham, I shall certainly vibrate
again to the center. Every author has a manner peculiar to himself, nor
can he well forsake it. I should be exceedingly hurt to omit a
necessary part of intelligence, but more, to offend a reader.
If GRANDEUR should censure me for sometimes recording the men of mean
life, let me ask, _Which is preferable_, he who thunders at the anvil,
or in the senate? The man who earnestly wishes the significant letters,
ESQ. spliced to the end of his name, will despise the question; but the
philosopher will answer, "They are equal."
Lucrative views have no part in this production: I cannot solicit a kind
people to grant what they have already granted; but if another finds
that pleasure in reading, which I have done in writing, I am paid.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account