T'ang culture, which is now difficult to trace in China herself. This is our first experiment in Chinese civilisation. Among the dynasties that followed the fall of the T'ang, that which longest held the rule was the Sung, and between China under the latter dynasty and Japan merchant ships plied now and then. Some Japanese Buddhist priests followed the track of their predecessors, and went over to China to study Buddhism. At the time of the Yuen dynasty founded by the Mongols, China sent many Buddhist missionaries successively to Japan, where religious innovations were in course of progress. This is our second experiment in Chinese civilisation. In the first experiment the religious element was of course not excluded. The essential characteristic, however, of the culture of the T'ang dynasty was politico-aesthetical, and as the result of the introduction of that culture, Japan became enlightened in general. In other words, the first experiment may be said to have been an aesthetical one, while the second is one apt to be termed a religious one, and by the blending of the results of the two experiments, we became a tolerably aesthetic and religious people. Still there remained much to be wished for in respect of national unification and social solidarity, and it is the culture of the Sung dynasty itself which provided that very need, being politico-ethical in its essential nature. By the introduction of that culture the doctrines of the Confucian philosophers, which were made the means of regulating the social and political organisation of Japan, were inculcated widely and deeply, and forced into practice more rigorously than they were in China herself. This is our third experiment in Chinese civilisation. And when this experiment was almost finished, we were faced by the inundation of western civilisation, which at last made it impossible for us to continue the process of rumination, and compelled us to plunge headlong into the maelstrom of world history.