Balkan Peninsula -- Description and travel; Eastern question (Balkan)
The streets of Skodra are, however, a perfect panorama of costume. In
the dark entries the shuffling Mohammedan women, white-clothed from head
to foot and veiled, look ghostly and mysterious; the Mohammedan
unmarried girls with the striped red-and-white veil wrapped about them;
Albanians from the south in short, stiff cotton skirts like exaggerated
kilts; Turks in greasy frock-coats and discoloured fezes, strolling
slowly, fingering their beads to pass the time through Ramadan; fierce
tribesmen from the mountains in all sorts of different costumes, fully
armed and ready to shoot in an instant at discovering an enemy even
there in the crowded bazaar; unveiled country women in short, coarse,
black homespun skirts, wearing great iron-studded belts and savage
ornaments in brass, copper, and gold; giggling girls from the mountains
four or five days distant, dressed in their gorgeous gala dresses,
laughing as they bargain with the voluble keepers of the tiny shops in
the bazaar.
Skodra fascinates one. There is no European influence here: not a soul
is in European dress. It is the unchanging East—the same life that has
existed here for centuries. The Turks are, however, fanatics, and Palok
will not allow me to smoke a cigarette in the street in the daytime, for
in the fast of Ramadan the Mohammedans abstain from all food, drink, and
tobacco from four in the morning till the gun fires on the fortress at
sunset.
Upon Palok’s advice I even wore a fez, so as not to be too conspicuous.
When I asked the reason, he simply grinned, shrugged his shoulders, and
said—
“The signore believes Skodra to be a safe place. But it is not always
so. Why run unnecessary risk? And a fez is very comfortable.”
So after buying a fez, I took it to the ironer, a white-bearded old
Turk, who pressed it and shrunk it and combed out its tassel with great
ceremony, and then I assumed the distinctive mark of the Sultan’s
subjects, evidently to the great relief of the faithful Palok.
On our first visit to the bazaar Palok discovered a friend. He was a
very tall, thin-legged Albanian, in a white fez, a white woollen bolero,
and the usual black-and-white woollen trousers and turned-up shoes of
raw-hide and interlaced string. In one of the narrow, tortuous ways of
the bazaar, on a kind of platform before a small ramshackle booth, where
rope and twine were displayed, he was squatting cross-legged, staring
into space and awaiting customers.
Suddenly espying Palok, he seized his slippers, which stood near him,
and sprang out upon the filthy pavement. Next second the pair were
clasped in embrace, and after many mutual words of warm welcome in
Albanian, I was introduced.
The seller of string looked me up and down critically until his eye
caught my revolver in my belt, and then, apparently satisfied with my
appearance, he touched his chin and brow in salutation.
Public-domain text, read in full here on John Shaqi.
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