Biographical fiction; French fiction -- Translations into English
The two enemies met nearly every evening on the same ground. The war
was courteous and benign on the side of the chevalier; but du Bousquier
showed less ceremony on his, though still preserving the outward
appearances demanded by society, for he did not wish to be driven from
the place. They themselves fully understood each other; but in spite of
the shrewd observation which provincials bestow on the petty interests
of their own little centre, no one in the town suspected the rivalry
of these two men. Monsieur le Chevalier de Valois occupied a
vantage-ground: he had never asked for the hand of Mademoiselle Cormon;
whereas du Bousquier, who entered the lists soon after his rejection by
the most distinguished family in the place, had been refused. But the
chevalier believed that his rival had still such strong chances of
success that he dealt him this coup de Jarnac with a blade (namely,
Suzanne) that was finely tempered for the purpose. The chevalier had
cast his plummet-line into the waters of du Bousquier; and, as we shall
see by the sequel, he was not mistaken in any of his conjectures.
Suzanne tripped with a light foot from the rue du Cours, by the rue de
la Porte de Seez and the rue du Bercail, to the rue du Cygne, where,
about five years earlier, du Bousquier had bought a little house built
of gray Jura stone, which is something between Breton slate and
Norman granite. There he established himself more comfortably than any
householder in town; for he had managed to preserve certain furniture
and decorations from the days of his splendor. But provincial manners
and morals obscured, little by little, the rays of this fallen
Sardanapalus; these vestiges of his former luxury now produced the
effect of a glass chandelier in a barn. Harmony, that bond of all work,
human or divine, was lacking in great things as well as in little ones.
The stairs, up which everybody mounted without wiping their feet, were
never polished; the walls, painted by some wretched artisan of the
neighborhood, were a terror to the eye; the stone mantel-piece,
ill-carved, “swore” with the handsome clock, which was further degraded
by the company of contemptible candlesticks. Like the period which
du Bousquier himself represented, the house was a jumble of dirt and
magnificence. Being considered a man of leisure, du Bousquier led the
same parasite life as the chevalier; and he who does not spend his
income is always rich. His only servant was a sort of Jocrisse, a lad of
the neighborhood, rather a ninny, trained slowly and with difficulty to
du Bousquier’s requirements. His master had taught him, as he might an
orang-outang, to rub the floors, dust the furniture, black his boots,
brush his coats, and bring a lantern to guide him home at night if
the weather were cloudy, and clogs if it rained. Like many other human
beings, this lad hadn’t stuff enough in him for more than one vice; he
was a glutton. Often, when du Bousquier went to a grand dinner, he would
Public-domain text, read in full here on John Shaqi.
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