An Universal Dictionary of the Marine: Or, a Copious Explanation of the Technical Terms and Phrases Employed in the Construction, Equipment, Furniture, Machinery, Movements, and Military Operations of a Ship. Illustrated With Variety of Original Designs of Shipping, in Different Situations; Together With Separate Views of Their Masts, Sails, Yards, and Rigging. to Which Is Annexed, a Translation of the French Sea-terms and Phrases, Collected from the Works of Mess. Du Hamel, Aubin, Saverien, &c.Falconer, William
Science
An Universal Dictionary of the Marine: Or, a Copious Explanation of the Technical Terms and Phrases Employed in the Construction, Equipment, Furniture, Machinery, Movements, and Military Operations of a Ship. Illustrated With Variety of Original Designs of Shipping, in Different Situations; Together With Separate Views of Their Masts, Sails, Yards, and Rigging. to Which Is Annexed, a Translation of the French Sea-terms and Phrases, Collected from the Works of Mess. Du Hamel, Aubin, Saverien, &c.
Falconer, William
French language -- Dictionaries -- English; Naval art and science -- Dictionaries -- Early works to 1800; Naval art and science -- Dictionaries -- French; Shipbuilding -- Dictionaries -- Early works to 1800
The necessary data by which the curves of the timbers are delineated
then are, the perpendicular height from the keel, the main or principal
breadth, and the top-timber breadth: for as a ship is much broader near
the middle of her length than towards the ends, so she is broader in the
middle of her height than above and below; and this latter difference of
breadth is continued throughout every point of her length. The main
breadth of each frame of timbers is therefore the ship’s breadth nearly
in the middle of her height in that part: and the top-timber breadth is
the line of her breadth near the upper ends of each timber. It has been
already observed, that as both sides of a ship are alike, the artificers
only draw one side, from which both sides of the ship are built:
therefore the timbers abaft the midship frame are exhibited on one side
of the plane of projection, and the timbers before it on the other.
Plane of PROJECTION, Plate I.
A. The keel.
B C. The line which expresses the upper-edge of the keel, from which the
height of each timber, and height of its different breadths are
measured.
B D and C E, perpendiculars raised on the line B C, to limit the ship’s
extreme breadth and height amid-ships; or, in other words, to limit the
breadth and height of the midship-frame.
A F. A perpendicular erected from the middle of the keel to bisect the
line of the ship’s breadth in two equal parts.
F * 9. The half-breadth line of the aftmost top-timber; being the
uppermost horizontal line in this figure.
Note. The seven lines parallel to, and immediately under this, on the
right side of the line A F, are all top-timber half-breadths, abaft the
midship-frame; the lowest of which coincides with the horizontal line D
E.
The parallel horizontal lines nearly opposite to these, on the left side
of the line A F, represent the top-timber half-breadths in the
fore-body, or the half-breadths of the top-timbers before the
midship-frame.
G, H, I, Q, R, S, T. The radii of the breadth-sweeps abaft the
midship-frame; those of the breadth-sweeps in the fore-body, or before
the midship-frame, are directly opposite on the right side.
⊕ A ⊕. The midship-frame, from the extreme breadth downwards.
1, 2, 3, 4, 5, 6, 7, 8, 9. The out-lines of timbers abaft the
midship-frame, in different parts of their height.
_a_, _b_, _c_, _d_, _e_, _f_, _g_, _h_. The outlines of the timbers
before the midship-frame, in different parts of their height, h being
the foremost, or knucke-timber.
K _i_. The wing-transom, whose ends rest upon the fashion-piece.
L. The deck-transom, parallel to, and under the wing-transom.
M N O. The lower-transoms, of which O k is the third and lowest,
_m_ _k_ P. The dotted line, which expresses the figure of the
fashion-piece, without being canted aft.
P. The upper-part, or top-timber of the fashion-piece.
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