An Universal Dictionary of the Marine: Or, a Copious Explanation of the Technical Terms and Phrases Employed in the Construction, Equipment, Furniture, Machinery, Movements, and Military Operations of a Ship. Illustrated With Variety of Original Designs of Shipping, in Different Situations; Together With Separate Views of Their Masts, Sails, Yards, and Rigging. to Which Is Annexed, a Translation of the French Sea-terms and Phrases, Collected from the Works of Mess. Du Hamel, Aubin, Saverien, &c.Falconer, William
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An Universal Dictionary of the Marine: Or, a Copious Explanation of the Technical Terms and Phrases Employed in the Construction, Equipment, Furniture, Machinery, Movements, and Military Operations of a Ship. Illustrated With Variety of Original Designs of Shipping, in Different Situations; Together With Separate Views of Their Masts, Sails, Yards, and Rigging. to Which Is Annexed, a Translation of the French Sea-terms and Phrases, Collected from the Works of Mess. Du Hamel, Aubin, Saverien, &c.
Falconer, William
French language -- Dictionaries -- English; Naval art and science -- Dictionaries -- Early works to 1800; Naval art and science -- Dictionaries -- French; Shipbuilding -- Dictionaries -- Early works to 1800
a a. The cat-head.
M ⊕ C. The rising line of the floor.
_k_ _u_ C. The cutting-down line, which limits the thickness of all the
floor-timbers, and likewise the height of the dead-wood afore and abaft.
⊕ _u_ U W. The midship-frame.
_a_, _b_, _c_, _d_, _e_, _f_, _g_, _h_. The frames or timbers in the
fore-body of the ship, i. e. before the midship frame.
1, 2, 3, 4, 5, 6, 7, 8, 9. The timbers in the after-body, or which are
erected abaft the midship-frame.
As the eye of a spectator is supposed in this projection to view the
ship’s side in a line perpendicular to the plane of elevation, it is
evident that the convexity will vanish, like that of a cylinder or
globe, when viewed at a considerable distance; and that the frames will
consequently be represented by strait lines, except the fashion-piece
abaft and the knuckle-timber forward.
It has been already observed, that the plane of projection may be
defined a vertical delineation of the curves of the timbers upon the
plane of the midship-frame, which is perpendicular to that of the
elevation. It is necessary to observe here, that the various methods by
which these curves are described, are equally mechanical and arbitrary.
In the latter sense, they are calculated to make a ship fuller or
narrower according to the service for which she is designed, and in the
former they are drawn according to those rules which the artist has been
implicitly taught, to follow, or which his fancy or judgment has
esteemed the most accurate and convenient. They are generally composed
of several arches of a circle, reconciled together by moulds framed for
that purpose. The radii of those arches therefore are of different
lengths, according to the breadth of the ship in the place where such
arches are swept; and they are expressed on the plane of projection
either by horizontal or perpendicular lines; the radii of the breadth
sweeps being always in the former, and the radii of the floor sweeps in
the latter direction. These two arches are joined by a third, which
coincides with both, without intersecting either. The curve of the
top-timber is either formed by a mould which corresponds to the arch of
the breadth-sweep, or by another sweep, whose center and radius are
without the plane of projection. The breadth of the ship at every
top-timber is limited by an horizontal line drawn on the floor-plane,
called the half-breadth of the top-timbers. The extreme breadth is also
determined by another horizontal line on the floor-plane; and the lines
of half-breadth are thus mutually transferable, from the projection and
floor-planes, to each other.
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