When the maid entered the room with the morning's letters and the young
mistress turned over her correspondence with white, ringless hands, the
discovery that she was not the wife of the man at the head of the table
would have come to an onlooker less as a surprise than as the
confirmation of a settled conviction. These two people had not the air
of a married couple. As individuals they were more calmly, amicably
detached than it is possible to be in that closest and most demanding of
relationships; moreover, family likeness betrayed itself in curve and
line, and in a natural grace of movement.
Brother and sister, alone in the dim old room, while from three
different points of view the same pictured face looked down upon their
_tete-a-tete_. From above the mantelpiece a painting; from the bureau,
a photograph printed in soft sepia tones; from the bookcase a snapshot
in a round black frame. All over the house the same face looked down
from the walls, for Katrine saw to it that no room was without a
pictured presentment of the young mistress who had reigned for one short
year over the dim old house. In the first days of loss her heart had
ached with an unbearable ache, not so much even for Martin himself, as
for that other girl who had enjoyed her kingdom for so brief a reign.
Poor, pretty, fair-haired child! there was something inconceivably
shocking in the thought of Juliet _dead_. In life she had played the
part of an irresponsible toy, born to be petted, to be served, to be
screened from every touch of care; her very marriage had been treated in
the light of an amusing joke. It was impossible to think of Juliet
becoming middle-aged and responsible. She was a flower of a day, and
her day had passed with startling, with horrible rapidity.
Martin had been stunned by his loss. He was but twenty-five at the time
of his marriage, and had found no difficulty in turning into a boy again
to make merry with his girl wife. As the months passed by, he had, it
is true, shown signs of a growing restiveness, born of a desire for
something more stable than everlasting frivoling, but before the
restiveness had had time to culminate, a sudden wind had swept the
delicate flower, and after a few days of agonising fear, the soul of
Juliet had fled, leaving behind a still, majestic mask, which even to
the husband who loved her was a strange and awesome thing.
Eight years ago! The colour was fading from the photographs. The fair
face with the large eyes and small open mouth was growing more and more
cloudy and indistinct, but as soon as her attention was directed to the
fact, Katrine had industriously ordered new copies from the old
negative, and distributed them about the house, waiting complacently for
her brother's recognition.
Public-domain text, read in full here on John Shaqi.
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